Works
  • Diana Copperwhite, Pastoral, 2025
    Diana Copperwhite
    Pastoral, 2025
    Oil on canvas
    18 × 24 cm (7.1 × 9.4 in)
  • Diana Copperwhite, A Darker Star, 2025
    Diana Copperwhite
    A Darker Star, 2025
    Oil on canvas
    18 × 24 cm (7.1 × 9.4 in)
  • Diana Copperwhite, Jenga in the Blue, 2025
    Diana Copperwhite
    Jenga in the Blue, 2025
    Oil on canvas
    18 × 24 cm (7.1 × 9.4 in)
  • Diana Copperwhite, Dilution , 2025
    Diana Copperwhite
    Dilution , 2025
    Oil on canvas
    18 × 24 cm (7.1 × 9.4 in)
  • Diana Copperwhite, Desert, 2025
    Diana Copperwhite
    Desert, 2025
    Oil on canvas
    18 × 24 cm (7.1 × 9.4 in)
  • Diana Copperwhite, Calyso, 2025
    Diana Copperwhite
    Calyso, 2025
    Oil on canvas
    18 × 24 cm (7.1 × 9.4 in)
  • Diana Copperwhite, Depend on the Morning Sun, 2016
    Diana Copperwhite
    Depend on the Morning Sun, 2016
    Oil on canvas
    150 x 150 x 3 cm
  • Diana Copperwhite, Architecture Of Sound, 2022
    Diana Copperwhite
    Architecture Of Sound, 2022
    Oil on Canvas
    130 x 140 cm
  • Diana Copperwhite, In the Shape of Shadows, 2019
    Diana Copperwhite
    In the Shape of Shadows, 2019
    Oil on canvas
    152.4 x 152.4 x 5.1 cm
  • Diana Copperwhite, Wall Flowers, 2022
    Diana Copperwhite
    Wall Flowers, 2022
    Oil on Canvas
    180 x 150 cm
  • Diana Copperwhite, A Scale of Things, 2022
    Diana Copperwhite
    A Scale of Things, 2022
    Oil on Canvas
    150 x 180 cm
  • Diana Copperwhite, Blizzard, 2022
    Diana Copperwhite
    Blizzard, 2022
    Oil on Canvas
    150 x 180 cm

  • Diana Copperwhite, Trace Element, 2019
    Diana Copperwhite
    Trace Element, 2019
    Oil on canvas
    100 x 80 x 3 cm
  • Diana Copperwhite, Green Light, 2016
    Diana Copperwhite
    Green Light, 2016
    Oil on canvas
    175 x 235 x 5 cm
  • Diana Copperwhite, Trapdoor, 2022
    Diana Copperwhite
    Trapdoor, 2022
    Oil on canvas
    140 x 120 cm
  • Diana Copperwhite, A Semi Solid Emotion, 2019
    Diana Copperwhite
    A Semi Solid Emotion, 2019
    Oil on canvas
    233.7 x 180.3 x 5.1 cm
  • Diana Copperwhite, Human Nature, 2022
    Diana Copperwhite
    Human Nature, 2022
    Oil on Canvas
    230 x 170 cm
  • Diana Copperwhite, Chemical Allegro, 2019
    Diana Copperwhite
    Chemical Allegro, 2019
    Oil on canvas
    238.8 x 177.8 x 5.1 cm
  • Diana Copperwhite, A Greener Lagoon, 2022
    Diana Copperwhite
    A Greener Lagoon, 2022
    210 x 300 cm

  • Diana Copperwhite, Predilection for Fiction , 2016
    Diana Copperwhite
    Predilection for Fiction , 2016
    Oil on canvas
    180 x 236 x 5 cm
  • Diana Copperwhite, Noctiluca, 2022
    Diana Copperwhite
    Noctiluca, 2022
    Oil on canvas
    50 x 50 cm
  • Diana Copperwhite, Calypso, 2018
    Diana Copperwhite
    Calypso, 2018
    Oil on canvas
    152.4 x 152.4 x 3.8 cm
  • Diana Copperwhite, Moonbeam, 2022
    Diana Copperwhite
    Moonbeam, 2022
    Oil on Canvas
    50 x 50 cm
  • Diana Copperwhite, The Green Girl, 2022
    Diana Copperwhite
    The Green Girl, 2022
    Oil on Canvas
    50 x 50 cm
  • Diana Copperwhite, Tidle, 2022
    Diana Copperwhite
    Tidle, 2022
    Oil on Canvas
    25 x 18 cm
  • Diana Copperwhite, Dreamer, 2019
    Diana Copperwhite
    Dreamer, 2019
    Oil on canvas
    60 x 50 x 2 cm
  • Diana Copperwhite, Vienna Shadow, 2018
    Diana Copperwhite
    Vienna Shadow, 2018
    Oil on canvas
    180 x 170 x 4 cm
  • Diana Copperwhite, Untitled #1, 2020
    Diana Copperwhite
    Untitled #1, 2020
    Watercolor on paper
    48.9 x 71.1 cm
  • Diana Copperwhite, Untitled #2, 2020
    Diana Copperwhite
    Untitled #2, 2020
    Watercolor on paper
    49.5 x 71.1 cm
Overview

 In her paintings, Diana Copperwhite explores the relationship between colors, gestures, figuration, and representation, harmonizing different visual strategies on the canvas. Copperwhite, who is based in Dublin, amalgamates images from the internet, photographs, and real life, unifying these sources in paintings that critically assess the medium’s ability to represent images, sensations, and ideas. “Painting is so physical but has the potential to do something very different to other media. . . . I think that aspects of technology are almost hypnotic and trance-like and this creates a space in my paintings that gives rise to what you might consider the psychedelic,” Copperwhite has said.

 

Diana Copperwhite’s work stems from an idiosyncratic practice that embraces the temporal nature of painting. This encompasses working with large-scale wall installations, large canvases and ongoing interest with the human portrait. Born 1969 in Limerick, she studied at the Limerick School of Art and Design, receiving a BA in painting at the National college of Art and Design, Dublin and went on to do an MFA at the Winchester School of Art and Design, Barcelona. Copperwhite is engaged with a sustained conceptual exploration of memory and abstraction. Using identifiable subjects, sometimes drawing on media images, she plays with light and color to create slightly unreal dreamlike and transitory compositions. The mood of her work is generally lyrical, creating an air of ambiguity of memories transformed in the unceasing passage of time. In a most unique capacity, she works over recognizable images, reworking their surface and adding rich layers, so that objects are transported in an entirely new direction into a fluid visual quality of being reimagined in singular vibrant ways.

 

Copperwhite's work is in many important public collections, including Irish Museum of Modern Art, Arts Council of Ireland, Limerick City Gallery of Art, Office of Public Works, Contemporary Irish Art Society, Mariehamn Stadbiblioteque, Aland Finland, International Red Cross Netherlands, as well as private collections across Europe and the US, and in Australia. She has exhibited widely, including in London, Dublin, Tokyo, Sydney, Amsterdam, Barcelona, New York, France, Amsterdam. Her work is held in many important public collections including the Office of Public Works, the Irish Museum of Modern Art, the Arts Council of Ireland, Limerick City Gallery of Art, as well as private collections in Ireland, across Europe and in the United States. Copperwhite was awarded the AIB Art Prize in 2007, which resulted in a major monograph and touring exhibition of her work. Her publication Fake New World was published to coincide with a wall drawing and exhibition at the RHA Gallery Dublin, and features a biography written by Gail Levin. She was a resident artist at the Josef Albers Foundation Connecticut (2012). She was a finalist in the Guasch Coranty Fundacio Painting Prize, Centre Cultural Metropolita Tecia Sala, Barcelona (2008) and was winner of the AIB Art Prize (2007). 

Exhibitions
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Installation shots