“Diana Copperwhite: The Clock Struck Between Time”, by Robert R. Shane, The Brooklyn Rail June 2019.
Diana Copperwhite: The Clock Struck Between Time, by Robert R. Shane, The Brooklyn Rail 2019. (link)
Castles in the Sky Fantasy Architecture in Contemporary Art
Exhibition Opening: Friday, February 15th, 2019
Press Preview: 5:00-6:00pm
VIP Preview: 6:00-7:00pm
Opening Reception: 7:00-9:00pm
Gallery Tour by Bartholomew Bland, Executive Director, Lehman College Art Gallery and Curator of the show: Sunday, February 17th, 2019 – 2:00-3:00pm
Curated by Bartholomew Bland, Executive Director, Lehman College Art Gallery/CUNY
Venue Curator in Miami: Yuneikys (Yuni) Villalonga, Chief Curator, Coral Gables Museum
PARTICIPATING ARTISTS: Gustavo Acosta, Diane Arbus, Clint Baclawski, John Bowman, Hannah Brenner-Leonard, Michele Brody, Adrien Broom, Dean Byington, James Casebere, Laurent Chéhère, Thomas Cole, Beatrice Coron, Will Cotton, William Richard Crutchfield, Linda L. Cunningham, Salvador Dalí, Thomas Doyle, Peter Hamlin, Cameron Hayes, Robert Hite, Julie Langsam, Armando Marino, Jonathan Monaghan, Juan Garcia-Nunez, Claes Oldenburg, Lothar Osterburg, Kevin M. Paulsen, Rachel Sydlowski, Eric Wesley and Danwen Xing.
Senegal’s Museum of Black Civilizations Welcomes Some Treasures Home
With its focus on black cultural contributions across the world, a museum opens amid a heated debate about reclaiming plundered art.
Elio Rodriguez’ drawing “Utopian African Renaissance” and sculpture
“Ellewa” at Senegal Museum Black Civilization, Dakar.
Diana Copperwhite, Polly Apfelbaum, David Batchelor, Alan Butler, James Clar, Jenny Holzer, Mark Joyce, Brigitte Kowanz, Dennis McNulty, Emer O’ Boyle and Grace Weir at Glucksman, University of Cork.
The buildings in our mind’s eye are limitless.
In our dreams, we unlock doors to unknown passages and climb unending stairs into the darkness of rooms, strange and never seen before. Not tied to the reality of bricks and mortar or ground and gravity, we imagine any structure ― the American “dream home” on a coveted suburban cul-de-sac beyond our reach, or the wild acid-trip floating balloon palace of a magical unicorn.
Jarring the laws of actual architecture, the imagined palace functions as very real foundation, buttress, and pillar for Castles in the Sky. From Claes Oldenburg’s proposal to replace the Washington Monument with a gigantic scissors to Laurie Simmons’ photograph of candy castles atop a cake weathering a blizzard of confectionary “snow,” the 30 artists in Castles in the Sky develop bizarre, impractical, enchanting, and inspiring unbuilt (and likely unbuildable) designs, and gather inspiration from famous sources.
Lother Osterberg draws from the etchings of 18th-century Italian artist Giovanni Battista Piranesi, the creator of images of dark and cavernous space― the nightmarish side of the architectural dream. Will Cotton’s candy castle represents a fantastical continuum of the art of 19th-century American landscape painter Thomas Cole, who, in Youth (1842), pictures a man rushing towards the mirage of a castle in the sky, the locus of all his youthful dreams. In Salvador Dali’s Gala’s Castle (1974) an elephant on attenuated legs tiptoes across a castle crenellation in Surrealist activity, which we spy, again, today, in Adrien Broom’s improbable scene of a Victorian woman standing in her drawing room open to the sky and filled with a wandering zebra.
This exhibition plays tribute to the ceaseless meanderings of the human imagination and the creative fantasy the hovers in the recesses of every artist’s mind.
The exhibition is organized by the Lehman College Art Gallery.
Exhibition Program Supporters:
New York City Department of Cultural Affairs in partnership with the City Council; New York City Council through the Honorable Andrew Cohen and the Bronx Delegation; Milton and Sally Avery Arts Foundation; Charina Foundation; Jarvis and Constance Doctorow Family Foundation; Medora and John Geary Family Fund; Edith and Herbert Lehman Foundation; and the New Yankee Stadium Community Benefits Fund.