November 13 - November 26, 2008

MICHAEL SANZONE

Opening reception Thurs, November 13, 5:30 - 8:30 pm

532 Gallery is pleased to announce an exhibition of new works by Michael Sanzone entitled Scottish Landscape. This marks Sanzone's second solo exhibition in New York. These new works, completed over the last year in Dufftown, located in the Scottish Highlands, continue his interest in sculptural paintings constructed from found wood pieces.

Wood is the chosen medium, specifically the natural occurrences that time has on the material and how it cannot be duplicated through artifice. The passage of time is represented through the mosaic-like constructions, with each piece of wood quietly disclosing his story in each ring, chip, and flaw. Sanzone increasingly explores the history of his materials, and in turn his surroundings. 'I find it important in my new work to collect materials/wood from specific locations, to get to know those locations and the history of the wood that now lies in the finished piece of artwork.'

The works included in Scottish Landscape were constructed during his time spent as an Artist in Residency at the Glenfiddich Distillery. Inspired by the journey of wood used to make the casks, some over fifty years old, Sanzone became increasingly fascinated by the subsistence of each piece. The barrels were built from Spanish or American oak, transported to Scotland, and then filled, tagged, coded, tended to, used, thrown away, found and finally resurrected. These wood constructions not only convey the narrative of this journey, but also act as Sanzone's memento of a time and place. The distinct colors and shapes of each piece, united with the damp scent of whisky soaked wood embedded with splinters and raised nails, lends to a sensory experience that is the Scottish Landscape from the artist's viewpoint.

 In addition to the wood constructions, there are a series of wood pieces simply referred to as Collaborations.  In a manifestation of ‘the exquisite corpse,’ Sanzone and fellow New York- based artist, M.P. Landis, exchanged these pieces via mail from Scotland to Brooklyn while manipulating the wood with drawings, stamps, words, and various media.  According to the rules established by both artists, each piece had to have traveled back and forth at least four times to be considered complete.  The battered and beautiful pieces reveal this journey, transformed from a blank canvas of wood to an illustrated dialogue between remote locations.