Diana Copperwhite, Confucious Confused 2016
( Detail) oil on canvas, 12″ x 16″
CONTEXT ART MIAMI
Maria Magdalena Campos-Pons
New CONTEXT Art Miami Pavilion
November 29 – December 4, 2016
Midtown Miami | Wynwood
118 NE 34th Street | Miami, FL 33127
by Anthony Haden-Guest, July 13, 2016
Pulse Play Selection (1 of 3): Les Joynes, Shapeshifter (2014) video 2:30 min.
In Shapeshifter, New-York based, Les Joynes recontextualizes Joseph Beuys’ I Like America and America Likes Me (1974) during his journey to the Khovsgol Province in Northern Mongolia.
Exploring nomadic identity, Les Joynes performs this shamanic ritual expanding his Selfhood in the adaptation of the Other.
Pulse Projects Selection: Armando Marino, Narcissus (2016) oil/ canvas
Inspired by the classic Greek mythology and today’s youth culture, Armando Marino’s large scale Narcissus is part of a series of his major oil paintings
that would reflect his romantic commentary on the growing prevalence around us of taking smartphone “selfies”. Narcissism is alive and well.
December 2 – 6, 2015
CONTEXT Art Miami Pavilion | Midtown Miami – Wynwood
2901 NE 1st Avenue | Miami, FL 33137
BOOTH CTX 41
Suburban Scenes, Poetic Paintings and Apocalyptic Art
Jessica Rohrer, Darrell Nettles and Jorge Tacla in this week’s Fine Art
Darrell Nettles’s paintings, gallery press materials say, “are ergodic in the deepest and most satisfying sense of the word.” Ergodic is a math/physics term indicating a system that operates over both time and space. Applied to the handsome, elegantly ordered letter-and-word pictures of Mr. Nettles (b. 1948), it seems to mean that the viewer is intended to appreciate them both spatially as paintings and sequentially, as texts to be read.
In terms of the former, the artist does a fine—actually, a refined—job. “When You Look at Me” (2014), at 82 by 60 inches one of the two big paintings in the show, is as dignified as a diplomat’s three-piece suit. Two smaller near-abstractions with partial letter shapes incised in thick white or black paint are more vigorously arresting.
The exhibition slumps a little in the midsize panels (about 3 feet high by 2 feet across) with sprayed-and-masked-off whole words. In them, the painting quotient is less, the poetry part greater. The poetry is conventionally abstruse, but not much more than that.
As he wraps up a fellowship at Harvard, the artist reflects on the experience and what comes next
Steven Heller in conversation with John A. Parks on his new paintings and show In New York.
Diana Copperwhite, an Irish painter living and working in Dublin, deserves more attention than she currently receives. Her “Shadowland,” a colossal, color-filled expressionist work humming with energy, brings to mind Richter and others from the new European school.
PULSE NEW YORK
125 West 18th Street New York, NY 10011
Diana Copperwhite Skanner Darkly 2015
Oil on canvas, 72 x 96 inches
Danny Rolph JV3 2014
Oil on Canvas, 84 x 72 inches