Archive for the ‘Artists’ Category

Bernard Ammerer


Bernard Ammerer   (1978 Wien)

Bernard Ammerer (1978) lives and works in Vienna. He graduated University für angewandte Kunst, Wien in 2010 and is the recipient of the Strabag Art Award.
Recent exhibitions include “Vorher Nachher” Galerie Frey Wien (solo), Dagong Art Museum, Qingdao (group), ”Subjects” Galerie Drees, Hannover, (group) “A Better Place” Galerie Frey, Salzburg,(solo) “You Choose” Berlin Art Projects, Berlin(group).

Biografie:

2003-2010 Universität für angewandte Kunst Wien bei Johanna Kandl und Wolfgang Herzig
2004    Teilnahme an der Sommerakademie für Bildende Kunst in Salzburg bei Xenia Hausner
2001     Abschluss des Studiums der Rechtswissenschaften

 Exhibitions (select) / Ausstellungen (Auswahl):

2017      „Hi(ghly) Unreal“ Galerie Frey, Wien (solo)
2016    „Interface“ 532 Gallery Thomas Jaeckel, New York (solo)
2015    DAGONG Art Museum, Qingdao, China (group)
„Figur,Struktur. STRABAG Artcollection“, RLB Kunstbrücke, Tirol (group)
2014    „Figuration zwischen Traum und Wirklichkeit“,  Museum Angerlehner, Wels (group)
“Subjekt“, Galerie Robert Drees, Hannover (group)
“vorher nachher“ Galerie Frey, Wien (solo)
2013    “A better Place”, Galerie Frey, Salzburg (solo)
“Pulse Miami art fair”, Solopräsentation
2012    “State of Mind”, Galerie Frey, Wien (solo)
“ABC”, Stadtgalerie Ternitz (group)
“Preview”, Galerie Frey, Salzburg (group)
2011    “You choose”, Berlin Art Projects, Berlin (solo)
2010    “The Essence”, Künstlerhaus, Wien (group)  Diplomausstellung Universität für angewandte Kunst
2009    “Exit strategies”, Galerie Frey, Wien (solo)
First Danube Biannale, Meulensteen Art Museum, Bratislava, Slowakei (group)
2008    “7 parallel 7”, Artexpo, Museum für zeitgenössische Kunst, Bukarest (group)
“6 X 3”, Galerie Frey, Wien (group)
“The Essence”, Museum für angewandte Kunst Wien (group)
2007    “RED”, Galerie Frey, Wien (group)
Preisträgerausstellung Strabag Art Award, Strabag Kunstforum, Wien (group)
Qingdao Art Museum, Qingdao, China (group)
“move”, Strabag Kunstforum, Wien (solo)
2006    “The Essence”, Museum für angewandte Kunst Wien (group)
“Two Perspectives”, Galerie Frey, Wien (sol0)
“REAL”, Kunsthalle Krems (group)
2005    “New Perspectives”, Galerie Frey, Wien (group)
“Frisch gestrichen”, Akademie der bildenden Künste Wien (group)
“Malstrom”, Universität für angewandte Kunst Wien (group)
“Alle reden vom Wetter”, Hotel Kunsthof, Wien (group)
2004    Stadtgalerie Vienna (group)

Awards/ Auszeichnungen:  Preisträger Strabag Art Award

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Susana Guerrero

 

Professor at Miguel Hernández University, Fine Arts Campus, Altea, Spain, since 2003

ACADEMIC BACKGROUND

2012 Fine Arts PHD Miguel Hernández University, Elche, Spain.
2007 D.E.A. (Advance Studies Award), Miguel Hernández University, Elche, Spain.
1997 Graduated in Print at Polytechnic University in Valencia, Spain.
1996 Graduated in Sculpture at Polytechnic University in Valencia, Spain.
1992 1st Course of Artistic Excellence at Ceramic´s School in Manises, Valencia, Spain.     1991 2º Curse at School of Fine Arts and Craftiness in Alicante.

TRAINING

2008 Workshop ‘Tácticas contra la destrucción del Territorio’, runs by Eva Lootz. CAM. Alicante, Spain.
Collage Workshop, “Recortar” with Sean Mackaoui, Culture´s Institute Juan Gil Albert. Alicante, Spain.
2006 Workshop ‘Ceci est mon corps…ceci est mon logiciel. Orlan y la experiencia de la carne’ runs by Orlan, Cendeac Institute. Murcia, Spain.
2005 Workshop of Arts’ Critic “la Consulta”. Miguel Hernández University, Elche, Spain.
Workshop ‘Performance Body’, runs by Marina Abramovic, Cendeac. Murcia, Spain.
2003 Workshop Arte y Naturaleza. Art Critics Association of Valencia, Alicante, Spain.
Ferrography Workshop runs by José Manuel Guillém, Institute Juan Gil Albert.  Alicante, Spain.
Workshop de Experimental Graphics runs by Fernando Bellver, Fuendetodos. Zaragoza, Spain.
2001 III University of Sculpture. Foundation Eduardo Capa in collaboration with Miguel Hernández University, Elche, Spain, Castle of Santa Bárbara, Alicante, Spain.

FELLOWSHIP

2009 Fellowship. Project LLP-Erasmus. Accademia Belle Arti di Macerata, Italia.
2004 Fellowship from Artists Residency in Lithography at Münchner Kúnstlerhaus. Munich, Germany.
2003 Ceramic Fellowship LABORATORIO DE FORMA. Empresa Grupo Sargadelos, Cervo, Lugo.
2002 Fellowship ‘Program of Artistic Residency from Mexican Government thru Mexican Institute of International Cooperation from Foreign Affairs of Mexico, runs by Gilberto Aceves Navarro.
2000 Fellowship ‘Program of Artistic Residency from Mexican Government thru Mexican Institute of International Cooperation from Foreign Affairs of Mexico, National School of  Fine Arts, México.
1997 Fellowship PROMOE, Universidad Nacional Autónoma de México, Centro de Extensión Taxco, Guerrero, México.
1995 Fellowship ERASMUS en la Anotati Scholi Kalin Tehnon, Atenas, Grecia.

SOLO SHOWS

2013 LECHE NEGRA. MANANTIAL DE MUERTE. Las Cigarreras Contemporary Art Center, Alicante, Spain.
PARA LLAMAR A LAS FUERZAS. Punto Rojo Gallery, Granada, Spain.
A MÍLAS FUERZAS. El Tragaluz Gallery, Granada, Spain.
FESTIVAL MIRADAS DE MUJERES. Las Cigarreras Contemporary Art Center, Alicante, Spain.
2011 A MI LAS FUERZAS. El Viajero Alado Gallery, Lebrija, Sevilla, Spain.
2009 PARA LLAMAR A LAS FUERZAS. Atrio de los Bambús Gallery, Palau de la Música, Valencia, Spain.*
2008 EL ALIENTO. Fundación ARTSUR, Madrid, Spain.
2006  DIE STÄRKEE; LAS FUERZAS. Deposito 14 Gallery, Madrid, Spain.
LAS FUERZAS. Elche Contemporary Art Museum, Spain.*
2005 NO SE SI CORTARME LA CABEZA. Espacio BOP Gallery, Madrid, Spain.
LOS LEONES BLANCOS NUNCA ATACAN. Aural Gallery, Alicante, Spain.
2004 DIE STÄRKEE, Kunstlerhaus, Munich, Germany*.
¡NO ME CORTES LA CABEZA!, CAM, Elche Alicante , Spain *.
¡NO ME CORTES LA CABEZA!, Charpa Gallery, Valencia, Spain.
DE CÓMO CRECIERON LAS ESPINAS. Hotel Prince Park, Benidorm, Alicante
2003 Congress Palace of Elche, Elche, Alicante, Spain.
2002 NARICES CORTAS, CHISMES MUCHOS, CHILES SECOS, MENTIRAS               BRILLOSAS. Punto y Línea Gallery, Oaxaca, México.
DE CÓMO CRECIERON LAS ESPINAS. Municipal Art Center of Mislata, Valencia, Spain.*
CÓMO TE GUSTARÍA QUE FUERA TU CAMA?. Centro 14 Gallery, Alicante, Spain.*
2001 INAUGURACIÓN. Gallery Aural. Alicante, Spain.
A MI CAMISÓN LE CRECIERON ESPINAS. Gallery Dipósit 19, Alicante, Spain.
2000 MI CAMA. Casa del Lago del Bosque de Chapultepec Gallery, México D.F.
MI CAMA EN MEZQUITE 7. Casa Borda, Taxco de Alarcón, Guerrero, México.
1999 DELICIAS 23; MI CAMA. Cultural Center Alfas del Pi, Alicante, Spain.
MI CAMA. Cultural Center C.M. de las Dehesillas, Leganés, Madrid, Spain.
1998 DELICIAS 23. Cultural Center, Casa Borda, Taxco de Alarcón, Guerrero, México.
1997 DELFOS. Cultural Center U.D.E.S. de  B.B.A.A. Atenas, Greek.
1996 MI CAMA. Gallery Tintorera, Jávea, Valencia, Spain.

 

COLLECTIVES SHOWS (selection)

2016 ART SOUTHAMPTON 2016. 532 Thomas Jaeckel Gallery, New York.
BIENAL DEL DISEÑO DE LA HABANA, Havana, Cuba.*
ART NEW YORK CONTEXT FAIR, 2016. 532 Thomas Jaeckel Gallery, New York.
PÓRTATE BIEN. Fábrica del Arte Cubano, Havana, Cuba.*
MADRID DOS GENERACIONES Y MEDIA. Gallery Odalys, Madrid, Spain.
ES – + ES – – ES + + ES +. Foundation Frax, el Albir, Alicante, Spain.
2015 EUSEBIO SEMPERE EN LA CASA BARDÍN. HOMENAJE. Casa Bardín, Institute of Culture Juan Gil Albert, Alicante, Spain.*
ARTE CISORIA. Casa Bardín, Institute of Culture Juan Gil Albert, Alicante, Spain.*
2014 DES DE DINS. ART CONTEMPORANI DES D´ALACANT. Museum of Alicante University (MUA), Spain.*
ARTE CISORIA. Art Center Gallery Taller d´Ivars de Benissa, Spain.*
REVELACIONES. Container Art, Sevilla, Spain.
ARTE CISORIA. Archeologic and History Museum of Elche (MAHE), Elche, Spain.*
TRAZAS. Art Cultural Center of El Carmen, Valencia, Spain.*
MULIER, MULIERIS. VIII CONVOCATORIA DE ARTES PLÁSTICAS, Museum of Alicante University, Spain.*
2013 IMAGINACIÓN Y DESEO. Rector Gallery of Miguel Hernández University at Elche, Spain.*
MULIER, MULIERIS. VII CONVOCATORIA DE ARTES PLÁSTICAS, Museum of Alicante University, Spain.*
2012 IN FRAGANTI. ESPACIO TRAZA, Alicante, Spain.
CONVOCATORIA DE ARTES PLÁSTICAS Y FOTOGRAFÍA 2012. Alicante City Hall, Spain.*
2011 CARTOGRAFÍAS DE LA CREATIVIDAD. 100% VALENCIANOS. Center of Development of Visuals Arts de La Habana, Cuba.*
2010 CARTOGRAFÍAS DE LA CREATIVIDAD. 100% VALENCIANOS. Modern Art Museum of Santo Domingo, Dominican Republic.*
EFEMMERAS. Cervantes Institute at Tanger, Marroco.*
MEMORIA PERCIBIDA. Contemporary Art Museum of Guatemala.*
I BIENAL DE ARTE PÚBLICO de Navacerrada, Madrid, Spain.*
XXXIII PREMIO BANCAJA DE PINTURA, ESCULTURA Y ARTE DIGITAL. City Hall Museum, Madrid, Spain.
FM3. México Institute in Spain, Madrid, Spain.*
WHEN IMAGES…BECOME OBJECTS. Arte y Naturaleza Gallery, Madrid, Spain.
MIEJSCA PRZEKLETE, MIEJSCA SWIETE. Kazni Nowej, Cracovia, Polonia.
9ª BIENAL DE LA HABANA. Luz y Oficios Gallery, Havana, Cuba.
ESTAMPA 2005. Artsur Art Fair, Madrid, Spain.
ART FAIRE. Depósito 14 Gallery. Colonia, Germany.
VALENCIA IN MOMENTO. Villa Serena, Bolonia, Italy.
EL GRUPO, Gallery of Technical Superior School of Nautica, Santander, Spain.*
CORPOMODAMENTE. Planetario Gallery, Serre di Villa Rivoltella, Trieste, Italy.*
XX CONCURSO DE DISEÑO GRÁFICO, CARNAVAL 2006. San Vicente del Raspeig cultural Center, Alicante, Spain *.
PREMIO NACIONAL DE GRABADO MARBELLA 2004. Foundation Spanish Contemporary Print Museum of Marbella, Spain.
PREMIO NACIONAL DE GRABADO MARBELLA 2003. Foundation Spanish Contemporary Print Museum of Marbella, Spain.
AGUA. Museo el Chamizal, Juárez City, Mexico
2003 ROT ROSTIG ROT. Haus der Kunst, Munich, Germany.
2002 FUERA DE REGISTRO. Oaxaca, Mexico.
UNA GOTA DE AGUA. Manzanillo University Gallery, México.*
DES DE L´ALTRA RIBA. Contemporary Art Museum of Ibiza, Spain.*
11 MUJERES, 11 MIRADAS. Rigoberta Menchú, Leganés, Madrid, Spain.
IX PREMIO NACIONAL DE GRABADO Y ARTE GRÁFICO. National Chalcography, Fine Art Royal Academy  of San Fernando, Madrid, Spain/ National Chalcography Gallery, Madrid, / Pontevedra Museum/ Extremeño and Ibero-american Contemporary Art Museum, Badajoz/ Iglesia de las Francesas, Valladolid, Spain.*
PREMIO NACIONAL DE GRABADO MARBELLA 2001. Spanish Contemporary Print Museum of Marbella, Spain.*
VI BIENNAL INTERNACIONAL DE GRAVAT JOSEP DE RIBERA. Xàtiva cultural Center, Valencia, Spain*.
PREMIO INTERNACIONAL ELISA DE ESCULTURA. Palau Albert, Barcelona, Spain.
2000 ENCUENTROS DE ARTE CONTEMPORÁNEO 2000. Museum of Contemporary Art at Elche, Alicante, Spain.*
DI-VERSO. Museo Del Fuego Nuevo, Iztapalapa, Mexico D.F.
XIII JORNADAS ALARCONIANAS .Casa Borda, Taxco de Alarcón. Guerrero, Mexico.*
X ANIVERSARIO, MUSEO VIRREINAL, Casa Humboldt, Taxco. Guerrero, Mexico.
ARTE. Tixtla, Guerrero, Mexico.
CERTAMEN DE PINTURA SALVADOR SORIA- VILA DE BENISSA 2000. Cultural Center at Benissa, Spain *.
TODOS AL ARTE. Theater Mª Luisa Ocampo, Chilpancingo, Guerrero, México.
II PREMIO NAVARRA. Navarra Museum.*
POR MI RAZA HABLARÁ EL ESPÍRITU, Taxco Cultural Center, Autonomic Nacional University of Mexico.*
LA LUNA PUDO DETENERSE AL FIN. Homage to Federico García Lorca, International Center of India, Nueva Delhi, India. Installation and video (‘cada ver vivo’).*
II BIENAL DE ESCULTURA VILA DE MISLATA. Mislata Cultural Center Gallery, Valencia, Spain *.

(*) Catalog

AWARDS / SELECTIONS

2013 Selected. MULIER, MULIERIS. VII CONVOCATORIA DE ARTES PLÁSTICAS, Museum of Alicante University, Spain.*
2012 Acquisition. Fine Arts Contest 2012. Alicante City Hall, Spain.
Selected. MULIER, MULIERIS. VI CONVOCATORIA DE ARTES PLÁSTICAS, Museum of Alicante University, Spain.*
2011 Selected. XXXVII PREMIO BANCAJA DE PINTURA, ESCULTURA Y ARTE DIGITAL2011. Valencia, Spain.*
Selected. MULIER, MULIERIS. V CONVOCATORIA DE ARTES PLÁSTICAS, Museum of Alicante University, Spain.*
Selected MIRADAS desde la Fotografía: ARQUITECTURA ALICANTINA. Alicante Institute of Culture Juan Gil-Albert, Spain.
Selected. Fine Arts Contest 2011. Alicante City Hall, Spain.
2010 Selected. MULIER, MULIERIS. IV CONVOCATORIA DE ARTES PLÁSTICAS, Museum of Alicante University, Spain.*
2009 Selected. MULIER, MULIERIS. III CONVOCATORIA DE ARTES PLÁSTICAS, Museum of Alicante University, Spain.*
Selected. CORPÓREA. REPRESENTACIONES DEL CUERPO EN LA CONTEMPORANEIDAD. , Museum of Alicante University, Spain.*
2008 Acquisition. Certamen Galería 2007 Fine Arts Contest. Miguel Hernández University, Elche, Alicante, Spain.
Selected. I BIENAL DE ARTE PÚBLICO de Navacerrada, Madrid, Spain.*
2007 Selected. . Fine Arts Contest 2007. Alicante City Hall, Spain.
2006 Selected.  IX Mostra Internacional Unión Fenosa, Spain.
Selected.  XXXIII Premio Bancaja de Pintura, Escultura y Arte Digital, Spain.
2005 Finalist. ‘5 Award ARTIFICE de Pintura sobre papel’, Loja, Granada, Spain.
2003 Selected. Gallery Edgar Neville. Season 2004/2005. Valencia, Spain.
‘Premio CORZON’, Print National Award Marbella 2003, Foundation Spanish Contemporary Print Museum of Marbella, Spain.
2002 Award ´El Catalejo Gallery’. National Print Award Marbella 2001, Foundation Spanish Contemporary Print Museum of Marbella, Spain.
2001 Selected. Fine Arts Contest ‘Propuestas’, Centro 14 Gallery, Alicante, Spain.
Finalist. ‘International Award of Sculpture Elisa’, Barcelona, Spain.
Accésit. Hogueras Experimentales 2001. Alicante, Spain
Selected.’Propuestas artísticas para la sala de exposiciones’. Mislata, Valencia, Spain.
2000 Finalist. ‘Premio de Escultura Fray Luis de León’, Plasencia. Spain
Selected en el ‘Certamen de Jóvenes Creadores’ del Instituto Juan Gil Albert, Alicante, Spain.
1999 Acquisition de la obra en la ‘Convocatoria de Artes Plásticas 1999’, Alicante City Hall, Spain.
Selected. ‘II Premio Navarra de Escultura’. Pamplona, Navarra, Spain.
Selected. ‘Certamen de pintura puerto de la Luz’. Art Center La Regenta, Las Palmas de Gran Canaria, Spain.
1998 Selected. LXI CONCURSO NACIONAL DE PLATERÍA. Virreinal Museum, Taxco de Alarcón, Guerrero, México
1997 First Award. ‘National Sculpture Contest Villa de Leganés 1997’, Leganés.  Madrid, Spain (public sculpture)
Acquisition. ’Convocatoria de Artes Plásticas 1997’.  Alicante, Spain.
Selected. ‘XXIV Premio Bancaja de Pintura y Escultura’. Valencia, Spain.
Selected. ‘VII  Bienal de Escultura de Mislata”, Mislata. Valencia, Spain.
1995 Mention of Honor. ‘VI Premio de Artes Plásticas de Viguer’. Valencia, Spain
1994 Mention of Honor. ’V Premio de Artes Plásticas de Viguer’. Valencia, Spain.

COLLECCIONS

Kunstlerhaus, Múnich, Germany.
Instituto Mexicano de Cooperación Internacional, México.
Universidad Nacional Autónoma de México.
City Hall of Alicante, Spain.
City Hall of Leganés, Madrid, Spain.
City Hall of Elche, Alicante, Spain.
Instituto de Cultura Juan Gil Albert, Alicante, Spain.
Universidad de Cantabria, Spain.
Foundation Spanish Contemporary Print Museum of Marbella, Spain.
Universidad Miguel Hernández, Elche, Spain.
Palau de la Música. Valencia, Spain.

LECTURES

2010 Printing workshop. University of Pittsburgh, PA, USA.
Lecture. University of Pittsburgh, PA, USA.
Workshop La pantalla serigráfica como un lienzo: la técnica de la pantalla abierta. Miguel Hernández University. Altea, Spain.
2009 Lecture. Accademia Belle Arti di Macerata, Italy.
2008 Lecture at I.S.A. (Higher Institute of Art) Habana, Cuba.
2007 Printing workshop. University of Pittsburgh, PA, USA.
2002 Workshop. Exposición ¿cómo te gustaría que fuera tu cama?. Centro 14 Gallery, Alicante.
2000 Workshop ‘la Conceptualización en el Arte’. Instituto de Cultura de Morelos, Morelense Arts Center, Cuernavaca, México.

PUBLIC SCULPTURES

‘La cama de José’. Sculpture Museum of Leganés City, Madrid, Spain.

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Jose Angel Vincench

José Angel Vincench 

Holguín, Cuba, 1973.

STUDIES ESTUDIOS

1992-1997 Instituto Superior de Arte (ISA), La Havana, Cuba.

1988-1992 Escuela de Nivel Medio Superior de Holguín, Cuba.

1985-1988 Escuela Elemental de Artes Plásticas de Holguín, Cuba.

SOLO SHOWS EXPOSICIONES PERSONALES

2016 The Weight of Words. Thomas Jaeckel (532) Gallery New York

2015 Cuestión de tiempo. Antonio Vidal – José Vincench. Galería Acacia. Havana.

2012 Open Studio. Havana.

2011 Vincench Vs Vincench. Galería Virginia Miller. Miami.

La luz y la oscuridad. Havana Gallery, Zurich, Suiza.

2010 Estudio abierto. Estudio-Galería, La Havana, Cuba.

2009 Obra reciente. Estudio-Galería, La Havana, Cuba.

2007 Lo que te puedo decir. Galería 23 y 12, La Havana, Cuba.

Rogación de cabeza. Casa Iberoamericana, Holguín, Cuba.

Behind the abstract.  Axis Contemporary Art, Calgary, Canadá.

2006 Realidades mágicas. Havana Gallery, Zurich, Suiza.

Social y Religioso. Intervención en el estudio del artista, La Havana, Cuba.

2005 Una imagen vale más que mil palabras. Intervención en la casa del     artista, La Havana, Cuba.

2003 Una cosa lleva a la otra. Galería Habana, La Havana, Cuba.

2002 Freezing Memories. dpm arte contemporáneo, Guayaquil, Ecuador.

2001 J. A. Vincench, MAM Gallery. Douala, Camerún.

2000 Ni es lo mismo ni es igual, Galería Habana. La Havana, Cuba.

Desde el interior de la tierra, Havana Gallery. Zurich, Suiza.

Desde el interior de la tierra, Centro Cultural de España. La Havana, Cuba.

Desde el interior de la tierra, Galería Juan David. La Havana, Cuba.

1998 Obsesiones. Hacer de lo privado lo público, Centro Wifredo Lam. La Habana, Cuba.

1997 Acerca de lo privado y lo público, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

1996 Trabajo reciente. Raúl Cordero (fotografías) / José Ángel Vincench (instalaciones), Galería 23 y 12. La Havana, Cuba.

1992 Deconstrucción, Centro de Arte. Holguín, Cuba.

MAIN GROUP SHOWS PRINCIPALES EXPOSICIONES COLECTIVAS

2015 Context Art Miami. Thomas Jaeckel (532) Gallery, New York

2014 Hacerse el Chino. Havana Gallery, Zurich.

2013 Puente. Helen Day Art Center. Vermont.

The Silent Shout: Voices in Cuban Abstraction / El grito silencioso: Voces en la abstracción cubana. Virginia Miller Gallery.

New Acquisitions. Paul and Lulu Hilliard University Art Museum. Lafayette, Louisiana.

Waiting for the Idols to fall. The 8th Floor, New York.

2012 Message from La Habana: Six Contemporary Cuban Artists. Zane Bennett Gallery, Santa Fe, Nuevo México.

Bienal de Liverpool. Inglaterra.

11 Bienal de la Habana. Havana.

2011 Cuban Visions. Metropolitan Pavillon Gallery. New York.

Art Bo. Bogotá. Colombia.

Siniestros. Galeria Habana. Havana.

Caminos. Sala Villena. Uneac. Havana.

Rastros. Galería Ecoh. México.

Ya sé leer. Texto e Imagen en el Arte Latinoamericano. Centro Wifredo Lam.

2010 The Von Christierson Collection. Without Mask. Johanesgurg Art Gallery (JAG).

2009 Libros y grabados de artistas cubanos 1985-2008. Exhibition Itinerary:

Grolier Club of Manhattan, New York.

Charlotte and Philip Hanes Gallery, Wake Forest University, Winston-Salem, North Carolina.

Robert Hull Fleming Museum, Burlington, Vermont.

Latino Arts, Inc, Milwaukee, Wisconsin.

XX Años no son nada. Centro de Desarrollo de las Artes Visuales, La Havana

Mama’s little girl. Art Baselita. Miami.

Fuerte es el morro, who I am?. Aglutinador-laboratorio, Cuba.

Cathryn Griffith & J.A.Vincench, Obra reciente. Maqueta de Miramar, Colateral a la 10 Bienal de la Havana, Cuba

Perra subasta. Aglutinador-laboratorio, Cuba.

10 años de Havana Gallery. Zurich. Suiza.

2008 Surrounded by water. Boston University Art Gallery.

Isla in Continente. Bienal del Istmo Centroamericano, Galería Nacional de Arte, Tegucigalpa, Honduras.

¡¡Curadores, go home!! . Espacio Aglutinador, Cuba.

Visiones desde una isla. Arte contemporáneo de Cuba. Espacio Arte Actual, FLACSO,

Quito, Ecuador.

Cuba: Artists Experience Their Country. Hunterdon Museum of Art,New York.

Terapia de grupo. Galería Fernando Pradilla, Madrid.

2007 Domesticación. Espacio Aglutinador, Cuba.

Espacios multiplicados. Centro de Desarrollo de las Artes Visuales, Cuba.

Killing time Exit Art – New York. Mayo- Agosto 2007.

Monstruos devoradores de energía. Casa América, Madrid, España.

Monstruos devoradores de energía. Gran Palais de Paris, Francia.

Devoradores de energía. Trienal Bosiva, Milán, Italia.

Beyond boundaries. FourbyFive, Gallery of photography, Calgary. Canadá.

2006  Waiting List (Lista de espera) Tiempo y Proceso en el Arte Cubano Contemporáneo.

Mestna Galerita. Ljubljana – Slovenia. Diciembre 2006.

Sombras que solo yo veo, Galería L, La Havana, Cuba.

Manual de Instrucciones, Cencrem, Colateral a la 9 Bienal de La Havana, Cuba.

2005 4to Salón de Arte Contemporáneo. Centro de Desarrollo de las Artes Plásticas. La Havana, Cuba.

2004 50×70, Havana Gallery. Zurich, Suiza.

Just on time, Galería Habana. La Havana, Cuba.

Barro América, 5ta edición. San Felipe, Venezuela.

Cuba hoy, Galería entre aguas. Madrid, España.

2003 Anden 10, Universidad Católica de Ecuador. Ecuador / Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

4 Artistas Holguineros, Havana Gallery. Zurich, Suiza.

Doble Seducción. (Videos a la carta), Sala Amadís del Injuve. Madrid, España / Centro Cultural de España. La Havana, Cuba.

Maneras de inventarse una sonrisa, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

Octava Bienal de la Habana. La Havana, Cuba.

2002 Dak’ ART Biennale de L’art Africain Contemporain. Senegal.

From a Black Hole, Son Space, Pals. Girona, España / Christian Dam Gallery. Copenhague, Dinamarca.

El museo crece, Museo de Bellas Artes. La Havana, Cuba.

2001 Visiones y transgresiones, Galería Nacional Museo de los niños. Costa Rica.

Arte Cubano, Entre el lienzo y el papel, Sala Miro, sede de la UNESCO. Paris, Francia.

Arte Contemporáneo Cubano, Centro Cultural Metropolitano. Quito, Ecuador.

Fotografía Contemporánea Cubana, Fototeca de Cuba. La Havana, Cuba.

ABC-CUBA Gráfica Contemporánea, Galería Habana. La Havana, Cuba.

III Salón de Arte Contemporáneo, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

2000 Una mano… y las dos?, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

Mitos en el Caribe, Galería Haydee Santamaría. La Havana, Cuba.

1999 La huella múltiple, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

Mind the gap, APT Studios. Londres, Inglaterra.

Trabajando Pa’l Ingle, Concourse Gallery, Barbican Centre. Londres, Inglaterra.

While Cuba Waits: Art in the Nineties, Track 16. Santa Mónica, Los Ángeles, Estados Unidos.

Temporal Visions, Fordsburg Artists’ Studios. Johannesburgo, Sudáfrica.

1998 Nuevos y sinceros, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

La  imagen y el laberinto. España.

La fuerza viene de todos, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

Trabajo reciente, Havana Gallery. Zurich, Suiza.

Maferefún Cuba, The Metropolitan Pavillon Gallery. Estados Unidos.

Dibujo, Havana Gallery. Zurich, Suiza.

II Salón de Arte Contemporáneo Cubano, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

1997 Los que ya no están, Centro de Arte. Holguín, Cuba.

Arte Contemporáneo del Caribe y Suecia, Galería Latinoamericana. La Havana, Cuba / Galería Mar Blanco. Suecia.

El ocultamiento de las almas, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

Pinturas del silencio, Galería La Acacia. La Havana, Cuba.

Trabajo por cuenta propia, Universidad de La Habana. La Havana, Cuba.

Feria de Arte de Guadalajara. Guadalajara, México.

V Salón de Dibujo de Santo Domingo. Santo Domingo, Republica Dominicana.

El arte que no cesa, Centro Wilfredo Lam. La Havana, Cuba.

1996 Las otras escripturas, Galería Luz y Oficios. La Havana, Cuba.

Proyecto Río Almendares: ni fresa ni chocolate, Centro Nacional de Conservación, Restauración y Museología. La Havana, Cuba.

Los héroes de la plástica cubana, Galería San Antonio Abad. Islas Canarias, España.

Giro de tuerca, Taller de Serigrafía. La Havana, Cuba.

1995 El Rápido, Galería ISA. La Havana, Cuba.

Arte Abstracto Cubano, Galería Habana. La Havana, Cuba.

La idea pura, Galería Teodoro Ramos. La Havana, Cuba.

Salón Juan Francisco Elso, Museo Nacional de Bellas Artes. La Havana, Cuba.

Pinturas del silencio, Centro de Arte. Holguín, Cuba.

Salón de Arte Contemporáneo Cubano, Museo Nacional de Bellas Artes. La Havana, Cuba.

El oficio del arte, Centro de Desarrollo de las Artes Visuales. La Havana, Cuba.

1994 No valen guayabas verdes, Galería ISA. La Havana, Cuba.

Salón de la Ciudad de Dibujo, Centro de Artes Plásticas y Diseño. La Havana, Cuba.

1992 Todos abstractos, Centro de Arte. Holguín, Cuba.

AWARDS PREMIOS

1998 Mención especial V Salón de Dibujo de Santo Domingo, República Dominicana.

1995 II Premio I Salón de Arte Contemporáneo Cubano. Museo de Bellas Artes, La Havana.

1994 I Premio Salón de la Ciudad de Dibujo. Centro de Artes Plásticas y Diseño, La Havana.

AUCTIONS AND ART FAIR SUBASTAS Y FERIAS DE ARTE

 

2015 Context-Art Miami, Thomas Jaeckel (532) Gallery New York
2013 Art Pulse, New York. Galeria La Acacia.
2011 Art Bo, Colombia.
2007 Subasta de Juannio, Ciudad de Guatemala.
2006 Art Americas Fair, Bourbon-Lally Gallery. Miami, USA.
2005 Toronto International Art Fair, Galería Servando. Canadá.
2004 Off the Main, Bourbon-Lally Gallery. New York, USA.
Art Bassel. Havana Gallery. Zurich, Suiza.
2003 Scope Art Fair, Bourbon-Lally Gallery. Miami, USA.
Feria de Arco. Madrid, España.
Subasta Habana, Club Habana. La Havana, Cuba.
2002 Subasta online, Museo del Ron. La Havana, Cuba.
2000 International Young Art 2000. Tel Aviv, Israel / Chicago, USA / Vienna, Austria.
1999 Art Paris, Galeria Habana. Carrousel del Louvre. Paris, Francia.
1998 Feria de Arco. Madrid, España.
1997 Feria de Arco. Madrid, España.

RESIDENCES RESIDENCIAS

APT Studios. Londres, Inglaterra. (Marzo-mayo 1999)

Fordsburg Artists’ Studios. Johannesburgo, Sudáfrica. (Julio-septiembre 1999)

Cuban Artists Found. New York, 2004.

 

COLLECTIONS COLECCIONES

Pizzuti Collection. Columbus, OH, USA.

Colección CIFO. Miami.

Frost Museum, Florida International University. Miami.

Paul and Lulu Hilliard University Art Museum. Lafayette, Louisiana.

Fundación Rubín. New York.

Museo Nacional de Bellas Artes, La Havana, Cuba.

Havana Gallery, Suiza.

Galerie MAM, Douala, Camerún.

Axis Contemporary Art, Calgary, Canadá.

Colección Chris von Christierson.

Colección Alina Pedroso. New York.

Colección Estrella Brodsky, New York.

Colecciones privadas en España, Suiza, Alemania, Sudáfrica, Camerún, Estados Unidos, Israel, Austria, Argentina, Ecuador, México, Canadá y Francia.

 

BIBLIOGRAPHY BIBLIOGRAFÍA

Alvarez, Lupe. Arte Abstracto Cubano. Galería Habana, febrero 1995 (Inédito).

Alvarez, Lupe. En catálogo La imagen y el laberinto, 1998.

Alvarez, Lupe. En catálogo While Cuba Waits: Art in the Nineties, 1999.

Arce, Yissel / Rodríguez, Ania. La otra mirada al culto. En revista Unión, julio-septiembre, 1999.

De la Nuez, Rubén. De la telaraña al pulgar. Gaceta No. 3, mayo-junio 1997.

Espinosa, Magaly. El espacio de lo cotidiano y el sabor del etnos: Estudios Culturales Latinoamericanos en la producción simbólica  de lo “diferente”. En Revista Arte Cubano, No 3, 2000.

Espinosa, Magaly. La crítica a la perturbación humana. En Revista Revolución y Cultura,  2000.

González-Mora, Magda Ileana. Obsesiones. En Revista Arte Cubano. 1/1999.

Hernández Erena. ¿Alivio o perturbación? (Inédito).

Hernández, Orlando. …hasta donde puedas. En catálogo Trabajando Pa’l Inglé, Barbican Centre, Londres, mayo 1999.

De la Hoz, Pedro. Un salón sin pasos perdidos. En Revista Arte Cubano, Enero 1996.

Martínez Bárbaro. Las palabras y los objetos. En catálogo Trabajo Reciente, julio 1996.

Pascual, Omar. La huella simbólica: (de) re-construcción y vaciado en J. A. Vincench. Septiembre 1995 (Inédito)

Pascual, Omar / Martínez, Bárbaro. Las ficciones verdaderas. En catálogo Trabajos Recientes, julio 1996.

Power, Kevin. En catálogo While Cuba Waits: Art in the Nineties, 1999.

Romeu Vivian. ¿Un signo que nunca miente? (inédito)

Romeu Vivian. Apuntes para una monografía. José A. Vincench. Revista Arte Cubano No. 2, 1999.

Romeu Vivian. La prudencia, estrategia para un triunfo. Revista Revolución y Cultura, La Habana, diciembre, 1998.

Romeu Vivian.  Pretextos estéticos para reflexionar sobre el compromiso estético-político del artista contemporáneo. Revista Afuera, Agosto 2009.

Block, Holly. En catálogo, ART CUBA. The New Generation, 2001.

Noceda, José Manuel. Más allá de la liturgia. En catálogo J.A.Vincench (1995-2002), 2003.

Noceda, José Manuel. Más allá de la liturgia. Revista de arte y pensamiento. Número especial Atlántica 41-42.

 

You Tube & Google. José Angel Vincench Barrera.

 

 

 

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Piers Secunda

Born in London, 1976, lives and works in London and New York

Piers Secunda’s aim in life as an artist is to make records of the time in which he lives. Making a record of the violent attempts by ISIS (the Islamic State in Iraq and Syria) to erase our collective cultural heritage in the Middle East is a matter of real importance and urgency to him. For this reason he traveled to the front line of the war against ISIS in Iraq in 2015 to cast ISIS bullet holes.

“Occasionally a moment occurs in which it is worth taking the risk to travel to a dangerous place. This was one such moment.”

In Art Historical terms, Secunda’s work reminds me of Picasso’s “Guernica” and Goya’s “Los Desastres de la Guerra” — but in a Postmodern minimalist way.

1995-1998 BA Painting, Chelsea College Of Art, London

1994-1995 Foundation, Surrey Institute Of Art, Farnham

Selected exhibitions including solo projects 

2016                Pergamon Works. New York University, New York (Solo show)

2016                 Engines and Panoramas. Bermondsey Project Space, London. (Solo show +Catalogue)

2015                 Raw: Word And Image. Space 776, Brooklyn, New York

2015                 Community Hospital. WhyWhyArt. Shanghai

2015                 Tribeca Film Festival. Spring Studios, New York (work donated as best documentary award)

2015                 Archived Oil. David Krut Projects, New York. (Solo show)

2014                 The Rise Of Oil. Jessica Carlisle Gallery, London. (Solo show)

2014                 The Social Bases of Abstraction. UpDown Gallery, Ramsgate. Curated by Ben Weidel Kaufmann

2014                 Art Asia in London Fair. Guus Roell Fine Art, Maastricht.

2014                 War Stories. William Holman Gallery, NYC. Curated by Anthony Haden-Guest

2014                 Art14. UpDown Gallery, Olympia, London.

2013                 One. UpDown Gallery, Ramsgate.

2013                 Winter Exhibition. Small Works Gallery, Brisbane, Australia.

2013                 Piers Secunda: A Retrospective. UpDown Gallery, Ramsgate (Retrospective show +Catalogue)

2013                 Taliban Paintings. Kuub Kulture Space, Utrecht, Holland. (Solo show)

2013                 W-A-R. Jacob’s Island Gallery, London

2013                 Let Me Introduce… UpDown Gallery, Ramsgate

2012                 Black Gold. Vegas Gallery, London

2012                 The Materiality of Paint. Fine Art Society, London

2012                 Taliban Bullet Holes. Small Works Brisbane, Australia (Solo show)

2012                 Piers Secunda. Kuub Kulture Space, Utrecht, Holland (Solo show)

2012                 L&M Arts. Hong Kong Fair

2012                 Taliban Bullet Holes. YK Art, Moganshan Rd, Shanghai (Solo show)

2012                 Paradox, The Limits of Liberty. Castrum Peregrini, Amsterdam

2012                 No One To Hear You Scream. Saamlung Gallery, Hong Kong

2012                 Immortal Nature. Edel Assanti, London. Curated by Gordon Cheung

2011                 Taliban Reliefs and Crude Oil Silkscreens. Aubin Gallery, London (Solo show). (Catalogue)

2011                 Signal8. Cat Street Gallery, Hong Kong

2011                 The Great Alonso. Primo Alonso Gallery, London

2011                 The Nature of change: Hybridity and Mutation. HRL Contemporary, London (Catalogue)

2011                 Equisite Corpse. Zero Ten Gallery, London

2010                 The City Folding Out. Yong Kang Lu Art, Shanghai

2010                 Uber Collision: Epic Fail. Idea Generation, London

2010                 The Earth Draws It. Zero10 Gallery, London (Solo show)

2010                 Mob Remedies. Gallery Primo Alonso, London

2010                 Fakirs. Island6, Shanghai, China

2009                 Tate The Biscuit. Shoreditch Town Hall, London

2009                 Piers Secunda. Island 6, Shanghai, China

2009                 Paperview. John Jones, London (curated by Danny Rolph)

2008                 The Future Can Wait: New London School, (Catalogue) Truman Brewery, London

2008                 Mashups. DACS, London

2008                 Counterpoint, British Sculpture Now and Then. Robin Katz Fine Art, London. (with Anthony Caro. Eduardo Paolozzi, Conrad Shawcross, Barbara Hepworth etc.)

2008                 Space Now. Space, London. (with Yinka Shonibare, Mark Wallinger, Saskia Olde Wolbers, Hew Locke etc.)

2008                 Superscope. Lounge Gallery, London

2007                 Piers Secunda, Paint Assemblages. Nettie Horn Gallery, London (Solo show)

2007                 The Lucifer Effect. Gallery Primo Alonso, London (with Gordon Cheung, Boo Ritson, Anne Hardy etc)

2007                 Noel Forster and Piers Secunda: Paintings and Constructions. The University Of The Arts (Catalogue)

2005                 Secret. Royal College of Art, London

2005                 The Gentle Art of Making Enemies (Catalogue)

2005                 Salon Show. Hollow Gallery, London.

2005                 Yabadabadoo. Cell Project Space, London.

2003                 Paint In 2003. Century Gallery, London. (Catalogue)

2003                 10 Selected Works. Vogue House, Conde Nast, London.

2002                 Kiosk. The Kiosk Project, London.

2000                 Paint! Tivoli Arts Co-Op, Tivoli, New York.

1998                 The Temporary Museum. (with Chris Ofili, Gavin Turk, Peter Blake, Richard Long, Bob and Roberta Smith and Cornelia

Parker, London). (Catalogue)

1996                    Roll On-Roll Off. exhibition inside a Double Deck Bus, touring art

museums, London.

1995                 August Exhibition. Sotheby’s, London.

1994                 Nicholas Thorp Gallery, London.

Articles, Reviews and Essays and Radio Broadcasts

2012                 Vreihijd Magazine (Holland) Shot Into Paint, Catherine Somze

2012                 Randian Magazine, No One To Hear You Scream, Christopher Moore

2012                 Lust And Found magazine, Piers Secunda, January 2012.

2011                 The National, (UAE newspaper) Artist Puts Crude Oil To Use To Explore Materials History, Ben East 7th December 2011

2011                 Phaidon website, Piers Secunda’s Art Attack, November 2011

2011                 FX Magazine, Taliban Bullet Holes. Anna Lewis

2011                 Resonance FM, Taliban Bullet Holes, Half hour discussion broadcast on FM Radio in London, November 2011

2011                 The Independent, Piers Secunda’s Taliban Relief Paintings, 15th November

2011                 Six Pillars, discussion of the Taliban works. LBC FM radio, London

2011                 Time Out Magazine, Hybrids. 3rd March publication

2010                 The Independent, Anti Design, Daisy Bowie-Sell 21st September

2010                 Real Magazine, Design week and Art, November/December edition

2010                 Last FM, Uber Collision Epic Fail, 18th September 2010

2009                 CN Review, Fakirs, Kai Pan, published 4th January 2010

2008                 ID magazine, Mashups, Nate Lowman

2008                 The Future Can Wait: New London School, (Catalogue)

2008                 The London Paper, Mashups, August 19

2008                 Houston Press “Paydirt: Thames Mudlarks”, Troy Schulze (work illustrated)

2008                 Art Monthly “Superscope”, Cherry Smyth, March

2008                 Time Out “Rainbow Straightener” Martin Coomer
2008                 The Guardian Guide “Rainbow Straightener”
2007                 Fash’ N Riot May 2007 Edition (work Illustrated)

2007                 Jack Wakefield, Paint Sculpture (press release)

2007                 Martin Holman, Piers Secunda: No Tub To A Whale…(catalogue essay)

2007                 David Ryan, Noel Forster and Piers Secunda Paintings and Constructions (catalogue)

2003                 Dr. Tom Learner, Head Conservator, Tate. Modern Paint (catalogue)

2002                 James Bainbridge, Mobile Art, Guardian (work illustrated)

Collections

The University For The Arts (Chelsea College Of Art)

Aquest International, New York

The Weston Collection

Findlay Asset Management, New York

Howard Corporation, New York

Gottesman Collection, New York

Moore and Moore Arts

The Museum of Photography, University of Southern California.

McWilliams Collection, Santa Barbara, California

Borsetti Architecture, New York

Katz Fine Art, London

Dr. Michael Jacobs, New York

Sid Bass Collection, Texas
Guy Merison Collection, New York

Russel Toone, London
Ng Family Collection, London

Private Collections in the UK and US

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Elio Rodriguez

 

ELIO RODRIGUEZ

February 20th, 1966. Ciudad Habana, Cuba
Lives in Spain

ACADEMICS ESTUDIES
1989 Higher Institute of Art (ISA), Ciudad Havana, Cuba.
1984 “San Alejandro” Art Academic, Ciudad Havana, Cuba.

RESIDENCIES
2015 Visiting Fellow Hutchins Center, Harvard, Cambridge, MA, USA
2010 Artist in Residency Mattress Factory Art Museum, Pittsburgh. PA, EUA.
2003 Artist in Residency. El Museo Diego Rivera & Francisco Oller, Buffalo, NY, USA.
2002 Guest Professor. Tufts University, Medford, Massachusetts, USA.
Guest Artist. Ceramic Workshop. Harvard University. Boston, USA.

COLLECTIONS

Museo Nacional de Artes, Cuba.
Jersey City State University, USA.
Cuban Embassy, China.
Foundation AMBA, Brazil
Hainaut City Hall, Belgium.
Museo del Humor, San Antonio de los Baños, Cuba.
Bratton Gallery, New York, N.Y., USA.
Southside Gallery, Oxford, MS, USA.
La Boheme Fine arts Gallery, Miami, FL, USA.
Cinque Gallery, New York, N.Y., USA.
Center for Cuban Studies, New York, NY, USA.
Arte y Naturaleza, Madrid, Spain
Peggy Crafitz Collection, Washington DC, USA.
Chris Von Christierson Collection, London, UK.
Shelley and Donald Rubin Collection, New York, NY, USA.
W.E.B. Du Bois Institute for African and African American Research, Harvard University, MA, USA

SOLO SHOWS
2016 Upcoming Jaeckel Gallery New York City
2015. Presión Contenida Charpa Gallery, Valencia, Spain
2014 Corridas y Venidas. Breese Little Gallery, London, United Kingdom.
2012 Cannival / Carnival. Elio Rodríguez and Douglas Pérez. Bresse Little Gallery, London, UK.
Selva en las Paredes. Pumps Project, Las Cigarreras, Alicante, Spain
2009 Ceiba Negra Contemporary Art Center L ́Escorxador, Elche, Alicante, Spain.
2007 Remakes Frick Fine Arts Gallery. University of Pittsburgh, Pittsburgh, PA. USA.
2006 Elio Rodríguez/Mayra Alpizar. Cervantes Institute. London, United Kingdom.
Ceiba (with artist Susana Guerrero) IX Havana Biennial. Provincial Center of Art Gallery, Havana City, Cuba.
2005 Remakes Gallery 23 y 12, Havana City, Cuba.
2003 Quilts & co. Open Studio, VII Havana Biennial. Casa Gaia, Teniente Rey # 157, H. Vieja, Havana City, Cuba.
2001 El Macho: Made in Cuba El Museo Diego Rivera & Francisco Oller, Buffalo, NY, USA.
2000 Vogue Ludwig Foundation of Cuba, Havana City, Cuba.
Elio Rodríguez UNEAC/ Nicolás Guillén Foundation, Havana City, Cuba
Elio Rodríguez/René Peña Galerie Winance-Sabre, Tournai, Belgium 1999 Mulatisímas “La Casona” Gallery, FCBC, Havana City, Cuba.
1997 La Gran Salsa “23 y 12” Gallery, VI Havana Biennial Havana City, Cuba.
1996 Las Perlas de tu Boca Gallery Serigraphy Workshop, Havana City, Cuba.
1995 Paladares Alternative Gallery “Espacio Estudio”, Havana City, Cuba
Paladares Student Union Gallery, Jersey City State University, NJ, USA.
1994 Tropical Gallery House of Young Creator, V Havana Biennial, Havana City, Cuba.
Recent Works Arts Space Gallery, Jersey City State University, NJ, USA.
1993 Morboutopías Center for Development of Visual Arts, Havana City, Cuba.
1991 El Macho Centro Provincial de Arte, Havana City, Cuba.
¿Mami, qué será lo que quiere el negro? Art Faculty Gallery, Havana University, Havana City, Cuba

LECTURES

Harvard University, Thompson Room, Barker Center, Cambridge, MA, USA (Feb 2015)
Du Bois Institute for African and African American Research, Harvard University, MA, EUA (feb. 2012) New York University, New York, NY, USA. (oct, 2010)
CUNY. Graduate Center. New York University, NYC. USA. (Nov. 2007)
Connecticut University, Hartford, Connecticut. USA. (Oct. 2007/Oct. 2010)
Pittsburgh University, Pittsburgh. USA. (Oct. 2007/Oct 2010)
Centro Provincial de Artes Plásticas y Diseño, Habana, Cuba (March. 1997)
Centre of Development of Visual Arts, Havana City, Cuba (Sept. 1998)
Massachusetts College of Art, Boston, Massachusetts, USA. (Oct. 2001)
University at Buffalo, State University of New York, USA (Nov. 2001/Oct. 2002/Nov 2007)
Hunter College, New York, NY, USA (Sept. 1995)
Rutgers State University, Newark, NJ. USA. (March. 1996)
Jersey City University, Jersey City, NJ, USA (1995/96/97/2000/2002)
Mississippi University, Oxford, MS, USA (1998)
Tufts University, Medford, Massachusetts, USA. (Oct. 2001)
Sumei Interdisciplinary Arts Center, Newark, NJ, USA (1995/1996)
Arts University “Miguel Hernández”, Altea, Alicante, Spain. (Oct. 2005)

COLLECTIVES SHOWS

2015 En Voz Alta Thomas Jaeckel Gallery, New York, NY,
Bodegón Fabrica de Arte Cubano, Havana, Cuba
Drapetomania Cooper Gallery, Cambridge, MA, EUA
2014 Iconografias de la Desobediencia Punto Gallery, Valencia, Spain
Manipulación Mediática en el Arte Cubano Contemporaneo Center of Development of Visual Arts, Havana City, Cuba
Drapetomania Diáspora Museum, San Francisco, LA, EUA
Consonantes. Serigrafías del Taller Christian Walter Fundacion Antonio Gala, Cordova,
Drapetomania The 8th Floor Gallery, New York, NY, USA
2013 Citizens of the World. Cuba in Queens. Queens Museum, New York, NY, USA.
Drapetomania. Center of Development of Visual Arts, Havana City, Cuba.
Drapetomania. Art Provincial Center, Santiago de Cuba, Cuba.
2012 El Deporte, Derecho del Arte (parte I) Gallery Espacio Abierto, Havana, Cuba.
Queloides. Race and Racism in Cuban Contemporary Art W.E.B. Du Bois Institute for African and African American Research, Harvard University, MA, USA
2011 Ya se Leer Wifredo Lam Center, Havana City, Cuba.
Cuban Gold. Contemporary Cuban Prints London Print Studio, London, United Kingdom.
Queloides. Race and Racism in Cuban Contemporary Art 8th Floor Gallery. NYC, EUA 2010 Without Masks Johannesburg Art Gallery, Johannesburg, Sudafrica.
Queloides. Race and Racism in Cuban Contemporary Art Mattress Factory Art Museum, Pittsburgh. PA, EUA.
2009 Queloides. Race and Racism in Cuban Contemporary Art Centro Wifredo Lam, Havana City, Cuba
X Bienal de la Habana. Genero (Trans)Genero y los Degenerados. Centro Cultural Bertold Berth. Havana City, Cuba

 

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Danny Rolph

 

Acrylic and mixed media on Triplewall, 183 x 213cm 72 x 84 in.

Born London 1967
Lives and works in London

 

EDUCATION

1991 – 93 Royal College of Art, MA Painting
1988 – 91 Winchester School of Art, BA (Hons) Fine Art

 

SELECTED AWARDS

2011 Sovereign European Art Prize (nominated)
2009 Visiting Professor in Fine Art, Bucks New University
2009 Visiting Fellow, University of Southampton
2007 Hamlyn Award (nominated)
2001 London Arts: Visual Arts Award
1998 Rome Scholar, British School at Rome
1994 – 96 Delfina Trust Award
1992 John Minton Travel Award

 

SOLO EXHIBITIONS

2015                ‘Recollection’, Jaeckel Gallery New York, USA

2014 ‘Paradiso’, Barbara Davis Gallery, Houston, USA
2013 ‘ESAD atelier’, ESAD, Grenoble, Valence, France
2012 ‘Duke of Burgundy’, Barbara Davis Gallery, Houston, USA
‘Kissing balloons in the jungle’, Poppy Sebire Gallery, London
2011 ‘Ten minutes from now’, Eden Rock Gallery, St.Barts, Caribbean
2010 ‘Multiverse’, Barbara Davis Gallery, Houston, USA
‘Brasilia’, Koraalberg Gallery , Antwerp, Belgium
‘Automatic Shoes’, Poppy Sebire Gallery, London
‘VOLTA 6’, New York, USA
2009 ‘Simultaneous Dreams’, AR/Contemporary, Milan, Italy
‘Accelerator’, Barbara Davis Gallery, Houston, USA
2008 ‘Jackson’, AR/Contemporary, Milan, Italy
2007 ‘Happenstance’ AR/Contemporary, Milan, Italy
‘Singularity’ Barbara Davis Gallery, Houston, USA
2006 ‘There is no such thing as pure’, Hales Gallery, London
‘Hinterland’, Barbara Davis Gallery, Houston, USA
2005 ‘Obstraction’, AR/Contemporary, Milan, Italy
‘Rutherford’, Newlyn Art Gallery, Cornwall
2002 ‘Locations’, Chapter, Cardiff
2001 ‘Famous Italians’, Hales Gallery, London
1999 ‘YK’, Mark, Oxo Tower, London
1996 ‘FOCUS’, Paton Gallery, London
1995 Cultural Instructions, London

COLLECTIONS

FaceBook, London
Metropolitan Museum of Art, New York
Tate Gallery, London
British Consulate, Rome
Coopers & Lybrand, London
Simmons & Simmons, London
Jerry Speyer, New York, USA
Michael A.Ross, New York
British Airways
Goldman Sachs
Khodr Collection, Beirut
Time Warner
Pearson
Unilever
Dresdner Bank
Thompson Knight, Dallas

PUBLICATIONS (SELECTED)

2012 ‘Mile Marker’, Barbara Davis catalogue
2011 ‘The Future can wait’, Catalogue
2010 ‘Summer Show 2010’, Royal Academy Catalogue
2009 ‘Fate and Freewill’, Contemporary Art Space, Catalogue, text by Martin Holman
‘Summer Show’, Royal Academy catalogue
‘Reconstructing the old house’, Catalogue, text by Dave Ryan
2008 ‘Superstratum’, Catalogue, text by John Chilver
‘Singularity’, Catalogue, text by Martin Holman
2007 ‘Happenstance’, Monograph, text by Martin Holman
2006 ‘Miser & Now’, Summer issue, Quarterly magazine
2005 ‘Rutherford’, Newlyn Art Gallery, Catalogue
‘Obstraction’, AR/ Contemporary, Catalogue
2004 ‘New British Painting’, Catalogue
2003 ‘The Bold and the Beautiful’, Catalogue
2001 ‘Giardino’, Catalogue
T.I.Group collection, Catalogue


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Marie-Dolma Chophel

Untitled, Oil on canvas,54x76 inches

Marie-Dolma CHOPHEL
Born in 1984. Lives and works in New York and Paris

EDUCATION:

2008 – 2009: Post-graduate year, Ecole Nationale Supérieure des Beaux-arts de Paris, Paris, FR
2003 – 2008: Ecole Nationale Supérieure des Beaux-arts de Paris (ENSBA), in Jean-Michel Alberola’s studio, Paris, FR. DNAP (Diplôme National d’Arts Plastiques) Bachelor Degree in Art in 2006.
DNSAP (Diplôme National Supérieur d’Arts Plastiques) Masters Degree in Art in 2008.

CURRENT SHOW: September 21, 2014 – January 4, 2015: Anonymous, at the Queens Museum, NY, USA

PAST SHOWS:

-2014/
January 28 – June 22: Anonymous: Contemporary Tibetan Art, Group show at the Fleming Museum, curated by Rachel Perera Weingeist, Burlington, VT, USA.

September 6 -October 4: Imaginary Places, 532 Gallery Thomas Jaeckel, New York

2013/
-In Between, Group show at Rossi&Rossi Gallery, curated by Tenzing Rigdol, London, UK.
-Anonymous: Contemporary Tibetan Art, Group show at the Dorsky Museum, curated by Rachel Perera Weingeist, New Paltz, NY, USA. -Situation Raw, Group show at the Wix Lounge, curated by Rachel Wells, New York, NY, USA.
-Invasive Ways, Solo show at What Goes Around Comes Around, Brooklyn, NY, USA.

2012/
-Grand Harvest Show/ Juried exhibition at the WAH Center, Brooklyn, NY, USA. -Invasive Ways, Solo show at What Goes Around Comes Around, Brooklyn, NY, USA. -PAF Art Fair, London, UK.

2011/ -Altérations, La Générale, Sèvres, FR.

2010/
-Aléas, Group show at La Cabine, Paris, FR.
-Across the Land, Himalayan Festival, La Pagode de Vincennes, Paris, FR.
-21st Biennale d’Art Contemporain de Cachan/ juried exhibition, Cachan (94), FR. -Salon des Réalités Nouvelles, young artist invited, Parc Floral, Paris, FR.

2009/ -Join Us, Group show at La Générale, Sèvres, FR.

RESIDENCY:

Selected for one month residency at the Golden Foundation, New Berlin, NY: September 7 – October 4, 2014


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Diana Copperwhite

Diana Copperwhite (b. 1969, Ireland) lives and works in Dublin.

Diana Copperwhite, born 1969 in Limerick, studied at the Limerick School of Art and Design from 1987-92, received a BA in painting at the National college of Art and Design, Dublin and went on to do an MFA at the Winchester School of Art and Design, Barcelona.
Copperwhite is engaged with a sustained conceptual exploration of memory and abstraction. Using identifiable subjects, and sometimes drawing on media images, she plays with light and color to create slightly unreal dreamlike and transitory compositions. The mood of her work is generally lyrical, creating an air of ambiguity of memories transformed in the unceasing passage of time.  In a most unique capacity, she works over recognizable l images, working and reworking their surface and adding rich layers, so that objects are transported in an entirely new direction into a fluid visual quality of being remembered, actually reimagined in the most singular vibrant ways.

She has exhibited extensively in Ireland, including solo presentations of her work at Royal Hibernian Academy, Limerick City Art Gallery, West Cork Arts Centre, Highlanes Municipal Gallery, and Kevin Kavanagh Gallery.  Her overseas exhibitions include Purdy Hicks Gallery, London, and Centre Culturel Irlandais, Paris, France – in conjunction with the AIB Prize. In 2013 she started showing in New York and Miami with Thomas Jaeckel.

In 2012 she was a resident artist at the Josef Albers Foundation Connecticut, USA.  She was a finalist in the Guasch Coranty Fundacio Painting Prize, Centre Cultural Metropolita Tecia Sala, Barcelona (2008) and was winner of the AIB Art Prize (2007).  Her work is in public collections including: Irish Museum of Modern Art, Arts Council of Ireland, Limerick City Gallery of Art, Office of Public Works, Contemporary Irish Art Society, Mariehamn Stadbiblioteque, Aland, Finland. International Red Cross Netherlands, and private collections in the USA, Australia and Europe.

EDUCATION

1999-2000 Winchester School of Art and Design, Barcelona, MA European Fine Art
1992-94 National College of Art & Design, BA Hons painting
1987-92 Limerick School of Art & Design, NCEA Diploma Painting

 

SOLO EXHIBITIONS

2015 PULSE NYC, 532 Gallery Thomas Jaeckel New York
2014 Shadowland 532 Gallery Thomas Jaeckel New York
2013 Loose Ends, 532 Gallery Thomas Jaeckel, New York
2013 Solo Booth at VOLTA  New York, Kevin Kavanagh, Dublin
2011 An Island from the day before, Kevin Kavanagh, Dublin 2009 perfect near miss, Kevin Kavanagh, Dublin
2011 Eclipse of a title, Highlanes Municipal Art Gallery, Drogheda
2008 Eclipse of a title, Centre Culturel Irlandais, Paris, eclipse of a title, West Cork Arts Centre
2007 BLIND SPOT, Limerick City Art Gallery * 2006 In a certain light, Kevin Kavanagh , Dublin * 2005 Midnight, Kevin Kavanagh, Dublin
2001 Galleri Kakelhallen, Aland, Finland *
2000 Panorama Gallery, Winchester School of Art, Barcelona
1998 Rubicon Gallery, Dublin
1996 Temple Bar Gallery, Dublin

GROUP EXHIBITIONS

2015 Context Art Miami, 532 Gallery Thomas Jaeckel New York
2014 Context Art Miami, 532 Gallery Thomas Jaeckel New York
2014 PULSE NYC, 532 Gallery Thomas Jaeckel New York
2014 Two Person show with Danny Rolph, Kevin Kavanagh, Dublin
2012 Into the Light, The Arts Council-60 Years of Supporting the Arts
Crawford Art Gallery, Cork*
Anna Bjerger, Diana Copperwhite and Oliver Comerford, Kevin Kavanagh, Dublin
Painting Now, Ron Mandos, Amsterdam
Making Familiar; Temple Bar Gallery, Dublin, curated by James Merrigan and
Group show and Symposium: Temple Bar Gallery
VOLTA 8 Basel, Switzerland
Askeaton Contemporary Arts, Temporary public Art Commission*
The Mind was Dreaming, the world was its Dream, Diana Copperwhite, Michael Kalmbach & Hiraki Sawa, Curated by Jacqui McIntosh, Solstice Art Centre, Navan, Ireland *

2011-
The Fold, Visual Centre for Contemporary Art, Carlow*
New Works Visiting Artists, Graphic Studio Gallery, Dublin
Graphic Studio: 50 Years in Dublin, Irish Museum of Modern Art, Dublin *

2010-
Collecting the New: Recent Acquisitions to the IMMA Collection, Irish Museum of Modern Art, Dublin Regarding Painting, Kevin Kavanagh, Dublin
The Marianbad Palace, Haroon Mirza, Diana Copperwhite, Laura Buckley, Jorge de la Garza, Alicja Kwade and Ian Monroe, Highlanes Gallery and Driochead Arts Centre, Drogheda Arts Festival,
curated by Jacqui McIntosh
Abundance, Limerick City Gallery of Art

2009-
Above the Fold, Kevin Kavanagh, Dublin
Alchimie – Multiples – Papiers, Françoise Besson, Lyon, curated by Michael Woolworth, Lyon Biennale * Visiting Artists, Graphic Studio Gallery
To Have & Have Not, curated by Gemma Tipton, Kinsale Arts Week, Cork *

2008-
Group Therapy, Kevin Kavanagh, Dublin
Winter Salon, Temple Bar Gallery, Dublin
International Painting Prize, Guasch Coranty Fundacio, Tecla Sala, Barcelona *

2007-
Presence, Limerick City Gallery of Art
The Big Store, curated by Alan Butler & Rayne Booth, Temple Bar Gallery, Dublin. Group show, curated by Martin Gale Fenton Gallery, Cork
Invited artist, RHA Annual Exhibition, Gallagher Gallery, Dublin *

2006-
Other Visions, curated by Aidan Dunne, Art Critic, The Irish Times, Purdy Hicks Gallery, London

2005-
A Moment In Time, Temple Bar Gallery
Reality Show, curated by Gemma Tipton, Siamsa Tíre, Tralee
Group Show, From the Liberties to Parramatta, University of Western Sydney, Australia

2000-
Aqui/alli, Can Felipe, Poblenou Barcelona

1998-
E+va, Exhibition of Visual Art, curated by Jeanne Greenberg, Limerick City Gallery of Art * Fantastic Overload, Rubicon Gallery Dublin

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Julie Langsam

 

EDUCATION

1985 Queens College, CUNY, MFA
1983-84 Pratt Institute, Graduate Fine Arts Program 1983 Purchase College, SUNY, BFA

COLLECTIONS

New York Health & Hospitals Corporation The Cleveland Clinic
Progressive Insurance
Reader’s Digest
B&F Capital Markets
Numerous Private Collections

GRANTS/ FELLOWSHIPS/AWARDS

Joseph F. Motto Endowed Chair, Cleveland Institute of Art, 2007-2009
Faculty Development Award, Cleveland Institute of Art, 2007
Northern Ohio Live Award for Excellence in Arts Programming, Kacalieff Lecture Series, 2006 Faculty Development Award, Cleveland Institute of Art, 2007
Pollock-Krasner Foundation Grant, 1994
Teaching Fellowship, Queens College, 1984-85

SELECT SOLO EXHIBITIONS

2014 Julie Langsam: Revisiting Paradise, Richard & Dolly Maass Gallery, SUNY Purchase, Purchase, NY (essay/brochure)
2013 Julie Langsam: Now(here), 532 Gallery Thomas Jaeckel, New York, NY
2013  Buildings & Blueprints, Espai 8, Barcelona, Spain
2012 Floor Plan Prototypes, Reykjavik Art Gallery, Reykjavik, Iceland
2008 Of Other Spaces, Frederieke Taylor Gallery, New York, NY (catalogue)
2005 From Here to Modernity, Michael Steinberg Fine Art, New York, NY
2002 Julie Langsam: House Paintings, Cleveland Center for Contemporary Art/MOCA Cleveland, Cleveland, OH
1999 Recent Work, Acme Art Co., Columbus, OH
1997 Julie Langsam, Clementine Gallery, New York, NY
1993 Recent Work, Brownson Art Gallery, Manhattanville College, Purchase, NY 1991 Julie Langsam: Recent Work, Fairleigh Dickinson University, Rutherford, NJ

SELECT GROUP EXHIBITIONS

Paper Jam 2014, Neuberger Museum, Purchase, NY
Higher Learning, curated by Danielle Tegeder, Lehman College Art Department, Bronx, NY
2013 Hold the Wall, curated by Dan Tranberg, The Galleries at CSU, Cleveland State University, Cleveland, Ohio
Oblique Strategies, curated by Emmy Mikelson, Peter Fingesten Gallery, Pace University, New York, NY 2012 Dirt Tongue, CCA Andratx, Andratx, Mallorca, Spain
2011 Put Up or Shut Up, New York Academy of Art, New York, NY
Hudson Valley Center for Contemporary Art Benefit Show, Robert Miller Gallery, New York, NY
2010 Paper Jam 2, Neuberger Museum, Purchase, NY
Tenth Anniversary Invitational Part II, curated by Beth Rudin de Woody, Frederieke Taylor Gallery, New York, NY
Chautauqua: A Continuum of Creativity, Denise Bibro Fine Art, New York, NY 2009 Social Structures, Art Gallery, Cleveland Clinic, Cleveland, OH
2009 Social Structures, Art Gallery, Cleveland Clinic, Cleveland, OH
Future Tense: Reshaping the Landscape, curated by Dede Young, Neuberger Museum, Purchase, NY
2007 A House Is Not A Home, curated by Beth de Woody, Caren Golden Fine Art, New York
Michael Steinberg Fine Art, New York, NY
Momenta Art Benefit Show, White Columns, New York, NY
2006 Heaven Is A Place Where Nothing Ever Happens…Charlotte Becket & Julie Langsam, Heights Arts, Cleveland Heights, OH
Process & Promise, curated by Amei Wallach, Milton J. Weill Art Gallery, New York, NY (catalogue) Dreaming Of A More Better Future, curated by Stuart Horodner & Saul Ostrow,Reinberger Galleries, Cleveland, OH
T-Zone, curated by Peter Dudek, SmackMellon, Brooklyn, NY2004 In Polytechnicolor, Michael Steinberg Fine Art, New York, NY Spring Show, Edward Tyler Nahem Fine Art, New York, NY Drawing Faculties, Tri-C Galleries West, Cleveland, OH
2003 Group Exhibition, Institut Franco-Americain, Rennes, France, traveled to Espace Melanie, Riec Sur Belon, Brittany, France, Fondation Mona Bismarck, Paris, France
2002 25th Anniversary Exhibition, The Drawing Center, New York, NY Five, Superior (An Exhibition Space), Cleveland, OH
Out of Place, The Cleveland Foundation, Cleveland, OH
2000 Space Invaders, Clementine Gallery, New York, NY
1998 Julie Langsam, Annabeth Rosen, University Gallery of Fine Art, Ohio State University, Columbus, OH
1996 This Ain’t Phony!!!, Art Initiatives, New York, NY
The Jack or Jill Show, Fourth World, Art Without Walls, New York, NY Momenta Art Benefit Show, Ronald Feldman Fine Arts, New York, NY Momenta Art Benefit Show, Momenta Art, Brooklyn, NY
Gotcha!, curated by Odili Donald Odita, Acme Art Co., Columbus, OH
1995 Works for a Funhouse, ES Vandam Gallery, New York, NY
Gotcha!, curated by Odili Donald Odita, Momenta Art, Brooklyn, NY
1994 Split Image, Westminster Gallery, Bloomfield College, Bloomfield, NJ Organic Transgressions, Rome Art Center, Rome, NY
1991 Fabricant, Langsam, McGiff & Wright, curated by Robert Berlind, Visual Arts Gallery, Purchase College, Purchase, NY 1987 Selections 35, The Drawing Center, New York, NY

ARTIST’S WRITINGS

2007 Langsam, Julie, catalogue essay, The Big Bang, curated by Julie Langsam, The Cleveland Institute of Art 2004 Cohen, Joanne, & Langsam, Julie, catalogue essay, It’s A Wonderful Life: Psychodrama In Contemporary
Painting, curated by Joanne Cohen & Julie Langsam, SPACES
2002 Langsam, Julie, catalogue essay, Arte Povera American Style: Funk, Play, Poetry & Labor, curated by Julie Langsam & Bruce Checefsky, The Cleveland Institute of Art

BIBLIOGRAPHY

Hilmarsdottir, Lara, “Faest vith byggingarlist landslag og haleita fegurth,” Morgunbladid, 25 July, 2012 Tocci, Elora; “Impossibililty of Perfection…” The Chautauquan Daily, July 29, 2011
Gilmore, Jonathan; “Reviews; Julie Langsam at Frederieke Taylor”, Art in America, March, 2009 Carrier, David; “Pic of the Day” Artcritical.com, Dec 8, 2008

Ostrow, Saul; “Interview w/ Julie Langsam”, Julie Langsam: Of Other Spaces (catalogue) 2008
Carrier, David; “Julie Langsam’s Architectural Surrealism”, Julie Langsam: Of Other Spaces (catalogue) 2008
Genocchio, Ben; Today’s Landscape’s, Tomorrow’s Dystopia, NY Times, June 1, 2008
ArtWorks, Cameron, Dan; Lewis, Toby; Morrison, Tony, DAP, 2007
The Collector As Curator:Beth Rudin DeWoody , Saatchi Gallery Online, www.saatchi-gallery.co.uk/quick- critique/index.php?show_id=The+Collector+as+Curator–Beth+Rudin+DeWoody&
Process & Promise, curated by Toni Greenbaum, Edward Lebow,Margaret Matthews-Berenson & Amei Wallach, Milton J. Weill Art Gallery, NYC, full color catalogue
Henderson, Stephen, “Out of the Shadows” House Beautiful, February, 2005
Johnson, Ken, “Weekend Arts”, The New York Times, Dec 2, 2005
Utter, Doug, “Lonely At the Top” The Plain Dealer, October 28, 2005
George, Ben; Jones, Jeff, P., “From the Editors”, Fugue, University of Idaho, Summer 2005, Vol. 29
Keats, Jonathan, “The Art of Architecture” Dwell, September, 2003
Ostrow, Saul, “Julie Langsam” Bomb, Spring, 2003
Mansour, Judith, “Bring In the Funk”, Cleveland Magazine, Dec 2002
Bracken-Sparks, Amy, “Mélange, American Style” Northern Ohio Live, Nov 2002
Litt, Steven, “Art: House Plans…”, The Plain Dealer, Nov 9, 2002
“Interview with Dee Perry” Applause, WVIZ-TV & WCPN, aired Nov.14,16,17,2002
Litt, Steven, “Exhibits Focus on Lewis, Gehry … Unique Collaboration”, The Plain Dealer, Oct 6, 2002
Tranberg, Dan, “House: Case Study Cleveland” The Plain Dealer, June 5, 2002
Kalm, James, “ Reviews: Space Invaders @ Clementine”, NY Arts International , Feb 2000
Litt, Steven, “Gallery Reviews” , The Plain Dealer, Nov 24, 1998
“Interview with Dee Perry”, Around Noon, WCPN, aired Nov 25,1997, Cleveland, OH
Dailey, Meghan, “Stephen DiCillo & Julie Langsam @ Clementine Gallery, NY”, Art Net Magazine, Feb, 1997
Schoenfeld, Alissa, “Julie Langsam at Clementine Gallery” Critical Review, Jan 1997
Gallery Beat, episode# 016, aired Jan 18, 1997, New York, NY
The New York Times, Dec 22, 1996, reproduction- Arts & Leisure Guide
Litt, Steven, “Art Review”, The Plain Dealer, Nov 14, 1996
Gallery Beat, episode # 002, aired May 26, 1996, New York, NY
Davis,Caren, “Portrayals of Women” Brooklyn Woman, July 1996
“Acme Leaps Into February” Columbus Alive, Jan 31- Feb 6, 1996
Jacques, Geoffrey, “Gotcha! Momenta Art” Cover Magazine,Vol.10, No.1 Holidays, 1996
Gallery Beat episode #79, aired Sept 18, 1995, New York, NY
Chapman, Frances, “Momenta Art” Waterfront Week, Vol.5.19, Sept 21- Oct 4, 1995
Watkins, Eileen, “Art” New Jersey Star Ledger, March 22, 1991

 

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Nadja Verena Marcin

 

Born in Würzburg, Germany

Living and working in New York and Nordrhine-Westphalia

Nadja Verena Marcin is a performance and media artist who focuses on human behavior, elemental emotions and psychological responses linked to role-playing through video, performance and photography. Inflated by playful, vigorous images, poetical texts, and handmade props, her work exposes ambiguities depicting the constructive/deconstructive potential of man’s characteristic, often dialectic behavior. Marcin confronts elemental emotions and unleashes psychological mechanism, exposing truths about morals, history, gender and politics inherent in Western culture.

 

EDUCATION

2010 MFA, Visual Arts, Columbia University, New York, USA

2008 Independent Studies with John Bock, Berlin, Germany

2007 Diploma with honors, Visual Arts, Academy of Fine Arts, Münster, Germany

 

COLLECTIONS

MONA Collection, public collection, National Museum, Poznan, Poland

Kunststiftung Sparkasse Unna, Unna, Germany

Videonale Archive, Kunstmuseum Bonn, Bonn, Germany

Several private collections: New York, Paris, Düsseldorf, Berlin, Marl, Essen, Santa Cruz, Rheda-Wiedenbrück

 

SOLO EXHIBITIONS-SOLO PERFORMANCES

2016 Cinema Pirata, SOHO 20 Gallery, Brooklyn, USA (S)

2015 01111010 01100101 01110010 (……) Galerie Esther Donatz, Munich, Germany (S)

2014 La Mujer, GOETHE Center, Santa Cruz de la Sierra, Bolivia (P)

2014 Zero Gravity, Kunstverein Unna, Unna, Germany (S)

2013 Zero Gravity, 532 Gallery Thomas Jaeckel, New York, USA (S)

2013 Award for Art and Language, Kulturstiftung Sparkasse UnnaKamen, Unna, Germany (S)

2012 Action Manual Vol. I, Dortmunder Kunstverein, Dortmund, Germany, curated by Sandra Dichtl (S)

2012 Action Manual Vol. II, Orangerie at Schloss Rheda and Werkstatt Bleichhäuschen, Rheda Wiedenbrück, Germany, curated by Melanie Körkemeier (S)

 

SELECTED GROUP EXHIBITIONS & PERFORMANCES

2016

Deep Inside – 5th Moscow International Biennale for Young Art, Trekhgornaya Manufactory, Moscow, Russia, curated by

Nadim Samman (G upcoming)

Video Shop, NADA art fair, Kunstraum LLC, New York, USA (G upcoming)

4to Festival de Performance Cimientos, Centro Patino, Cochabamba, Bolivia, kuratiert von Rodrigo Rada und Alejandra Dorado (G up.)

Transmission, Bagkeion building, in context of the Athens Biennale, Athens, Greece (G)

Embrace, Kunstraum, Brooklyn, USA, curated by Jessica Holburn (G)

2015

Le Fruit defend, Galerie du Beffroi, Namur, Belgium (G)

Narcissist Ball: In the garden of early delights, BOFFO & Paddle 8, New York (G)

Call of the Wild: Pioneers, Rebels and Heroines, Vox Populi, Philadelphia, USA (P)

GlobalDraw Project, Oude Stadsgalerij in Heerlen, Netherlands (G)

Woman. Equal and Different, Festarte Videoart Festival, Space On Art, Rome (Sc)

2014

DEW21 Kunstpreis, Museum für Kunst- und Kulturgeschichte, Dortmund, Germany (G)

BORG Biennale, Antwerp, Belgium (G)

Research/ Presentation, KIOSKO Galeria, Santa Cruz, Bolivia (S)

The Last Bruciennale, 837 Washington Street, New York, curated by BHQFU & Julian Schnabel (G)

FEARFULAWESOME – Ecstasy, death and rebirth of a male painter, TEMP Art Space, New York, curated by S.A.N.E. (G)

2013

Middle Gate Geel 13, CC de Werft, Geel, Belgium, curated by Jan Hoet (G)

Coupe de Ville 2013, WARP, Sint Niklaas, Belgium, curated by Stef van Bellingen (G)

Framing the Viewshed: Groundswell, Olana, Hudson, New York (P)

Out of Blink, Sarah Crown, New York, USA, curated by Sarah Corona (G)

Peekskill Project V, Hudson Valley Contemporary Art Center, Peekskill, USA (G)

2012

80WSE presents, 80wse Gallery/ NYU Steinhardt, New York, USA, curated by Michael Cohen (G)

TINA B. – The Prague Festival of Contemporary Art, Prague, Czech Republic (G)

Premiere of //KIDS//, ZKM- Center for Art and Media, Karlsruhe, Germany, curated by Peter Weibel (Sc)

Spring Show, 532 Thomas Jaeckel Gallery, New York (G)

AIVA Festival, Angelholm, Sweden, curated by Anders Weberg (Sc)

2011

German Photography Now – Emotion, Drama and Narration in the stylistic variety, Jinsun Gallery, Seoul, Korea, curated by Sun Jung Kim (G)

ART EDITION, Jinsun Gallery, Jongnogu, Seoul, Korea (G)

Queering Sex, Human Resources, Los Angeles, USA, curated by Sarvia Jasso and Kathryn Garcia (G)

The days of this society are numbered, Abrons Art Center, New York, USA, curated by Miguel Amado (G)

WE ARE: Live and let die, Nuture Art, Brooklyn, USA, curated by Guillermo Creus (G)

EPAF European Performance Art Festival, Warsaw, Poland (Sc)

2010

‘Qui Vive?’ 2nd Moscow International Biennale for Young Art, Moscow Museum of Modern Art, Russia, curated by Karina Karaeva (G)

Short-term deviation, Elizabeth Foundation for the Arts, New York, USA, curated by Jie Liang Lin and Jesse Hlebo (G)

As you like it II, Heidi Cho Gallery, New York, USA, curated by Marilyn Rosenberg (G)

SCREENING/SALON/CABARET/DISCO, ICA Philadelphia, Philadelphia, USA, curated by Sarvia Jasso (Sc)

Uncontrollable Flesh, Berkeley Art Museum, Berkeley, USA, curated by Sarvia Jasso (Sc)

Collective Show, Participant Inc., New York, USA, curated by Sarvia Jasso and Kunstverein NY (Sc)

 

SCHOLARSHIPS-PRIZES

2016 NYFA, Fiscal Sponsoring POCAHONTAS RETURNS, New York, USA

2015 NYFA, Fiscal Sponsoring OPHELIA, New York, USA

2014 Residency, KIOSKO Galeria, Santa Cruz, Bolivia

2013 Production Grant, NRW Film- und Medienstiftung, Düsseldorf, Germany

2013 Stipend for Artistic Research Abroad, Ministry of Culture NRW, Düsseldorf, Germany

2013 Award for ‘Art and Language’, Kulturstiftung Sparkasse UnnaKamen, Unna, Germany

2012 Prattsville Artist residency, Art Center, Prattsville, USA

2012 Grant for ‘King Kong Theory’, Puffin Foundation, Teaneck, USA

2012 Nominated for Prize for Young Artists, Ministry of Culture NRW, Nordrhine-Westfalia, Germany

2011 DAAD Scholarship for Int. Research – New York, DAAD, Bonn, Germany

2011 Stipend for Artistic Research Abroad, Ministry of Culture NRW, Düsseldorf, Germany

2011 Deutsche Börse Residency Program, Frankfurter Kunstverein, Frankfurt, Germany

2010 International Studio & Curatorial Program (ISCP) Residency, New York, New York, USA

2010 Stipend for Artistic Research Abroad/ ISCP, Ministry of Culture NRW, Düsseldorf, Germany

2010 Project Fund, Art Student Council, School of the Arts, Columbia University, New York, USA

2010 Artist Business Career Development Grant, Artworks International, New Mexico, USA

2009 Womens Voices, 1st Price, Musique a la Mode, New York, USA

2008 MFA Stipend, Collection Falckenberg, Hamburg, Germany

2008 Merit Scholarship, Columbia University, New York, USA

2008 Visual Arts Fellowship, Columbia University, New York, USA

2007 Fulbright scholarship, Fulbright commission Berlin, Germany

2006 DAAD Freemover scholarship, DAAD, Bonn, Germany

2006 HESGE- School of Art and Design, residency, Geneva, Switzerland

2005 Nomination for Nordrhein- Westfalen Price for Young Artists, Münster, Germany

2004 Young Media Award, Jugendvideopreis, Dresden, Germany Karownale, Prize of the Jury, Filmfestival, Berlin, Germany

2003 DFJW scholarship, French- German youth organization, Berlin–Paris, Germany-France

Villa Arson, residency, Nice, France

 

BIBLIOGRAPHY

Selected Catalog (C), Booklet (B), Article (A)

2016

Arielle Bier, Young and the Restless, Berlin: Artforum (A)

Hettie Judah, “The 5th Moscow Biennale for Young Art Signals Millennials’ Deepest Anxieties – The fears are not generation-specific but this expression of them is.“, London: artnet News (A)

Nadim Samman, “5th Moscow International Biennale for Young Art”, Moscow: Moscow Museum of Modern Art (C)

Hili Perlson, “The 5th Moscow Biennale for Young Art Announces Bold List of Participants”, New York: Artnet News (A)

Martin John Callanan, 5th Moscow International Biennale for Young Art – Departure of All, London: Greyisgood (A)

V Московская международная биеннале молодого искусства объявила участников Основного проекта, Moscow: Artguide (A)

Andrew Nunes, “Finally, the Art World Gets a Bootleg Video Store”, New York: The Creator’s Project (A)

Kari Adelaide, “Highlights from NADA New York 2016”, New York: Huffington Post (A)

William J.Simmons, “10 Picks from NADA 2016”, New York: Interview Magazine (A)

Brian Boucher, “11 Booths I could hardly tear myself away from at NADA New York”, New York: Artnet News (A)

2015

Paddy Johnson, “Kunstraum by the Navy Yard”, New York: ArtFCity (A)

“Das Münchner Wochenende – Wenn die Musen durchmachen”, Munich: Süddeutsche.de – Kultur (A)

“Bilder, die bewegen- Das Festival Kino der Kunst zeigt Filme Bildender Künstler an verschiedenen Orten”, Munich: Süddeutsche.de – Kultur (A)

Kino der Kunst, Munich: EIKON Süd GmbH / KINO DER KUNST (B)

Claude Lorent, „Le fruit trop savoureux du jardin d’Eden“, Namur: La Libre Culture (A)

John A.Parks, “Universal Principles of Art: 100 Key Concepts for Understanding, Analyzing, and Practicing Art”, Beverly: Rockport Publishers (C)

2014

Lotte Allen, “Stand-In: Self & Subjectivity as Performing Artist”, Participatory Research & Social Inquiry, New York: The New School (A)

“Residentes Marcin y Roeb exponen en galería Kiosko”, Santa Cruz: El Deber (A)

Carmel Melouney, “Women’s Artwork a Focus at the Last Brucennial”, New York: Metropolis – Wall Street Journal (A)

Oscar Laluyan, “PICTURE THIS: Awesome and Nothing to Fear”, New York: Artefuse, 2014 (A)

Helga Marsala, “Un progetto del collettivo SANE da TEMP Art Space, a New York. Da Andy Hope 1930 a Björk, esplorazioni tra mitologie, conflitti e storie di ambiguità”, Milan: Artribune, 2014 (A)

Sarah Corona, “FEARFULAWESOME – Ecstasy, death and rebirth of a male painter. {TEMP} Art Space, New York”, USA/ Budva: Wallstreet International Magazine, 2014 (A)

2013

Middle Gate Geel 13, Brussels: Agora/Tempus, 2013 (C)

Coup de Ville, WARP, Sint Niklaas: WARP, 2013 (C)

Ashli Molina, “Artist Nadja Verena Marcin Travels to Florida to Recite Nietzsche in Zero Gravity”, Miami New Times, 2013 (A)

Jennifer Kabat, “The dream of the 90S: Where did all the anger go? 1993 at the New Museum”, The Weeklings, 2013 (A)

Peter Friese, “Preis für Kunst und Sprache”, Unna: Kunststiftung Sparkasse Unna, Apr 2013 (A)

Sarah Corona, “The Wonderful World of Nadja Verena Marcin“, Sarahcrown.com, 2013 (A)

2012

Katy Diamond Hamer, “80WSE presents: Annual Group Show”, Eyes-Towards-The-Dove, 2012 (A)

Tilman Abegg, “Die Gefahrensucherin”, Dortmund: Ruhrnachrichten, Nov 2012 (A)

Katharina Werneke, “Film ab für irritierende Momente”, Die Glocke, Nov 2012 (A)

Ralph Wilms, “Im Hightechbus nach Ägypten”, Marl: WAZ, Nov 2012 (A)

2.Ruhrbiennale, Duisburg: ”Aorta Kunst & Kulturverein”, Jul 2012 (C)

”Month of Performance Art”, Second Edition, Berlin: MPA-Berlin, May 2012 (C)

2011

”German Photography Now – Emotion, Drama and Narration in the stylistic variety”, Seoul: Jinsun Gallery, Oct 2011 (C)

Gail Victoria Braddock, “The days of this society are numbered”, New York: The Brooklyn Rail, Apr 2011 (A)

”WE ARE:…”, New York: Nuture Art, Jul 2011 (C)

Greta Gesenberg, “Hotel und andere Erzählungen”, The-Solo-Project, Basel: Jens Fehring Gallery, Jun 2011 (A)

”The-Solo-Project – Solo Shows by 50 Selected Galleries”, Basel: The-Solo-Project, Jun 2011 (C)

Bettina Haiss, “Über die Sprachlosigkeit”, Lost of translation, Frankfurt: Jens Fehring Gallery, Jan 2011 (A)

2010

Keith Garth, “Zines, Zombies, and Rackets: Short-Term Deviation Opens at EFA”, New York: The Faster Times, Oct 2010 (A)

”USA/MFA@Bezalel”, Tel Aviv: Bezalel Academy, Jul 2010 (C)

”‚Qui Vive?‘ 2nd Moscow International Biennale for Young Art”, Moskow: Museum of Modern Art, Jul 2010 (C)

Sarvia Jasso, ”SCREENING/SALON/CABARET/DISCO”, Philadephia: ICA, Jun 2010 (B)

Georg Elben, ”Videoperformance- Modelle der Selbstbetrachtung”, Münster: AZKM, Jan 2010 (C)

“German-born artist Nadja Marcin Wins Artist Business Career Development Grant”, ARTWORKinternational online, Santa Fe, Jan 2010 (A)

 

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Tanja Selzer

Tanja Selzer lives and works in Berlin, Germany.

Education
1993-1999  University of Applied Sciences, Department of Design, Hamburg, Germany

Collections  (selections)

Familly Schneider collection, Greieich, Germany
Rusche SØR Collection, Berlin/Oelde
Museum am Dom, Würzburg
HSH Nordbank, Hamburg
Sammlung Schirm, Berlin

Solo Exhibitions

2014 Meet me in the Trees 532 Gallery Thomas Jaeckel, New York
2013 Sweet Lies, Janine Bean Gallery, Berlin
2012 September 8th – October 13th, janinebeangallery, Berlin
2011 “Keine Tränen für die Kreaturen der Nacht”, janinebeangallery, Berlin
2011 “Sabotage”, art.ist Galerie, Castrop-Rauxel, Germany
2011 Galerie Mühlfeld+Stohrer, Frankfurt a. M., Germany
2010 “Gib mir dein Rot”, janinebeangallery, Berlin
2010 “Nothing Happened”, Galerie Mühlfeld+Stohrer, Frankfurt a. M.
2009 “Surface”, Verve Gallery, Berlin
2007 “New Works”, Galerie Andreas Engler, Berlin
2006 “Full Coverage”, Galerie Andreas Engler, Berlin

Group Exhibitions

2013 Schöne Landschaft – Bedrohte Natur, Landschaftsbilder aus der Collection SØR Rusche /
Kunsthalle Osnabrück / Germany
2013 Tierstücke from the Collection SØR Rusche / Abtei Liesborn Museum / Germany
2013 I Amesterdam you Berlin, St. Johannes-Evangelist-Church / Berlin / Germany
2012 “KREATUREN”, painting, photography, video and sculpture, Tanja Selzer, Sabine Wenzel, Sevrina Giard, Kerstin Grimm, janinebeangallery, Berlinz
2012 “Eros und Thanatos”, April 28th – May 26th, Collection SØR Rusche Berlin/Oelde, Baumwollspinnerei, Leipzig, Germany
2011 “SATT”, Kunstverein artmx.eV, during Lange Nacht der Museen, Cologne, Germany
2011 532 Gallery Thomas Jaeckel, New York City, USA
2011 “Röhrender Hirsch”, Galerie Karin Sutter, Basel, Switzerland
2011 “HotSpot Berlin – Eine Momentaufnahme”, Georg Kolbe Museum, Berlin, featuring a benefit auction with Simon de Pury
2011 “WANTED”, janinebeangallery, Berlin
2011 “Kreaturen”, Kunstverein Lemgo, Germany
2011 “Kreaturen”, Galerie Bernau, Germany
2010 “NORDSCHAU 4 – Neue Blicke in die Kunstsammlung der HSH Nordbank”, Hamburg, Germany
2010 Café Endlager, curated by Ralf Schmerberg, Stuttgart, Germany
2009 “Idyllic Abysses”, Lucas Carrieri Gallery, Berlin
2009 “8 Years Gallery”, Galerie Mühlfeld+Stohrer, Frankfurt a. M. , Germany
2009 “NORDSCHAU 1 – Blick in die Kunstsammlung der HSH Nordbank”, Hamburg, Germany
2008 “artmx cologne vol.01”, Cologne, Germany
2008 3rd prize at the Members Art Award 2008, ART FAIR 21, Cologne, Germany
2005 “Electric Ladyland”, Umformwerk Bewag, Berlin

 

 

 

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John A. Parks

 

 

Born 1952 in Leeds, England

1973 – 76 M.A.(R.C.A.) in Painting, Royal College of Art. London, England.
1970 – 73 B.A. in Fine Art, Hull College of Art. Hull, England.

John A. Parks is a painter who has shown widely in the US and England over the last thirty years. His work is represented in the collection of the Victoria and Albert Museum in London, the Royal College of Art Collection, the Museum of the Rhode Island School of Design and many private collections.  He is a member of the faculty of the School of Visual Arts in New York.
Beginning with his meticulous but lyrical realist paintings in the late seventies Parks has concentrated on themes of English life and the broader issue of the relationship between personal and national identity. A long series of delicately romantic paintings in the eighties explored the English obsession with the transformational properties of gardening and landscaping.  In the late eighties and nineties Parks shifted his attention to British public imagery where he applied a whimsical, playful and sometimes alarming painterly attack to undermine and decode some of the nation’s most preciously held icons. 
For the last several years Parks has been using a finger painting technique – literally painting with his fingers – to explore the imagery that occupied his imagination as a child.  Paintings of trains, hunting scenes and monuments have recently been superseded my images of schoolyards and the pursuits of boyhood – cycling, exploring, fighting and camaraderie. “The recent work is all executed from memory,” says Parks. “And in using finger painting I’m using a childish method to explore childish things. For all that, these are far from childish paintings.  I’m amazed at the rich surfaces and evocative properties of the pictures I’m able to make this way. They are starting to feel like the very stuff of memory.  I’ve never been more excited about what I’m doing.”

 

Collections
Victoria and Albert Museum, London.
Royal College of Art, London.
Oklahoma City Museum of Art.
Museum of the Rhode Island School of Design.
Numerous private collections.

Awards
1988. National Endowment for the Arts Grant.
1974. British Institute Award for Figurative Painting.
1974. Scholarship to Skowhegan School of Art, Maine.
1974. Fullbright Travel Grant.

Solo Exhibitions 
2012 Thomas Jaeckel, New York
2008 
Southern Vermont Arts Center, Manchester VT
2005 
Allan Stone Gallery, New York
2002
 Cricket Hill Gallery, New York
2002
 Paul Smith, New York
1992
 Coe Kerr Gallery, New York.
1991
 Louis Newman Gallery, Beverly Hills.
1990
 Coe Kerr Gallery, New York.
1987 
Allan Stone Gallery, New York.
1984 
Allan Stone Gallery, New York.
1982 
Allan Stone Gallery, New York.
1979
 Segal Gallery, Boston.
1977
 Allan Stone Gallery, New York.

Selected Group Exhibitions
2012 Art Wynwood, International Contemporary Art Fair, Miami
2011 
Made in the UK. Contemporary British Art from the Richard Brown Baker Collection
Museum of the Rhode Island School of Design.
2008
Chicago International Art Fair
2007 
Art Basel Miami Beach
2006 
Art Basel Miami Beach
2006
 Armory Show, New York
2004
 “Group” Allan Stone Gallery, New York
2000 
”Forty Years” Allan Stone Gallery, New York.
2000 
”New Realism” Jenkins-Johnson Gallery, San Francisco.
1999
 “Landscapes” Allan Stone Gallery, New York. Exhibition including work by de Kooning, Wayne Thiebaud, Franz Kline, Richard Estes and others.
1998 
”London/Paris/New York” at the Beadleston Gallery, New York. An exhibition of cityscapes including work by Monet, Pissaro, Bonnard, Stuart Davis and others.
1996 
Allan Stone Gallery, New York.
1995 
Allan Stone Gallery.
1994 
Hollis Taggart Gallery, Washington DC.
1993 
Gerold Wunderlich Gallery, New York.
1988 
Chicago International Art Exposition.
1987
 Duke University, Durham, NC.
1983
 Kornblee Gallery, New York.
1972
 Royal Academy, London.

Reviews and articles on the work
New York Times 2012 Dec.14, Review of exhibition at 532 Gallery Thomas Jaeckel by Roberta Smith.
Passport Magazine. Winter 2005-6. Major article with reproductions.
New York Sun. June 30th 2005. Review of the exhibition at Allan Stone Gallery.
Pulse Magazine. June 2005. Interview.
American Artist. May 1992. Major article with reproductions by Jane Cottingham.
ArtSpeak. February 1984.”John Parks at Allan Stone.”
New York Times. May 30th 1982. John Russell.
Arts Magazine, September and November 1978.

Teaching
Teaching at the School of Visual Arts, New York, NY since 1979 as well as various visiting assignments.

 

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Armando Marino

oil on canvas. 92 x 82 in. 2016

( 1968 Cuba), Lives and works in New York.

EDUCATION

1980-1987 Escuela Provincial de Arte “Joaquín Tejada”. Santiago de Cuba.
1987-1992 Facultad de Educación Artística del Instituto Superior Pedagógico
“Enrique José Varona”. Havana. Cuba.
2004-2005 Rijksakademie van beldeende Kunsten. Amsterdam .Holland

PUBLIC COLLECTIONS

Deutsche Bank Collection USA
21cMuseum.Kentucky.USA
Shelley and Donald Rubin Private Collection. New York. USA
Sarah and Darius Anderson Collection. California.USA
Howard Farber Collection. New York .USA
Centro Wifredo Lam. Havana. Cuba.
ART/OMI Residency. Nueva York. USA
ASU Art Museum: Arizona. USA
Colección Berardo Museo de Arte Moderna.. Sintra. Portugal
Museo Extremeño Iberamericano de Arte Contemporáneo. MEIAC.
Marcelino Botín Foundation.Spain
National Museum of Valjevo. Yugoslavia.
Espacio C. Camargo. Cantabria. Spain.
Diputación Provicial de Cadiz .Sala Rivadavia. Cadiz. Spain
Coca Cola Foundation.Spain
CEGAM.Centro Gallego de Arte Contemporaneo.Galicia .Spain
University of Virginia Art Museum. Virginia. USA
Rijskakademie van beeldende kunsten . Amsterdam. Holland.
Museo  Nacional de Bellas Artes. Havana . Cuba.
Stichting Oce Kunstbezitp. Venlo. Holland
De Nederlandshe Bank. Holland.
Arttoteek Den Hagg. Holland

PRIZES AND AWARDS

1997 Segundo Premio I Salón Nacional de Arte contemporáneo Cubano.
1997 Castillo de la Fuerza y Palacio de Bellas Artes. Havana. Cuba.
1998 Mención de Honor XXXe. Festival International de la Peinture. Château-Musée Grimaldi. Cagnes sur Mer. Francia

SOLO EXHIBITIONS

2014 New Paintings after the long Winter. 532 Gallery Thomas Jaeckel New York NY. USA
2012 The Waste Land. 532 Gallery Thomas Jaeckel New York NY. USA
2012 Building Identities. Contemporary Cuban Art from the Shelly and Donald Rubin Private Collection. Cleveland Clinic’s Art Program Arts & Medicine Institute. OH USA
2012 Skyline Adrift. Cuban Art and Architecture. Art Omi Sculpture Field Park. New York. USA
2012  Recent Paintings from the Year of the Protester. 8th Floor Space. New York NY USA
2009  Drilling America. Pan American Art Projects. Miami. FL. USA
2007 Interiors. Fernando Pradilla Gallery. Madrid. Spain.
2007  Tervuern’s Tales . Grusenmeyer Art Gallery Deurle. Belgium.
2006 The Night inside of the painter’s house. Galerie Jean Brolly. Paris France
2006  Crash/Clash. Hof & Huyser Gallery. Ámsterdam  The Netherlands
2005 Recent Paintings. Fernando Pradilla Gallery. Madrid. Spain.
2005 Beautiful World. Project Room. Rijksakademie van Beeldende Kunsten. Ámsterdam.NL
2004  Paintings..Project Room East. Rijsakademie van beeldende kunsten. Amsterdam. NL
2003. Esteticamente correcto. Fernando Pradilla Gallery. Madrid. Spain.
2002 Con permiso de mi antropólogo. Galeria Ad Hoc. Vigo .Spain
2002 From my bathtub. Galeria RAY GUN. Valence. Spain.
2002 Arte en las Venas. Museo Cruz Herrera. La Linea de la Concepción. Cadiz. Spain.
2002. Arte en las Venas.Sala Rivadavia. Fundacion de la Diputacion Provincial de Cadiz. Spain
2001 “In utero”.Gary Nader Fine Art.Miami.USA.*
2001 La angustia de las influencias”. Galería Theredoom. Barcelona. Spain.
2001  Más Allá”. Museo Iberoamericano de Arte contemporáneo.(MEIAC)Badajoz. Spain.
2000  “Más Allá”. Centro Wilfredo Lam. Havana. Cuba.
1999 ROPA USADA. “Para los otros del tercer mundo”. Galería Ángel Romero. Madrid
1999  Recent Works. Gary Nader Fine Art. Miami. (USA)*
1998  Obra Reciente. Sala de Exposiciones Palacio de Abrantes. Salamanca.Spain
1997  Obra Reciente. Galería Ángel Romero. Madrid. Spain.
1996  “Nostra Nusquama”. Galería Espacio Estudio. Havana. Cuba.
1993  “Arqueología de la Simulación”. Centro de Arte 23 y 12. Havana. Cuba.
1993 “Des-Colon-izando el entorno”. Centro Wilfredo Lam. Havana. Cuba.

SELECTED GROUP EXHIBITIONS

2014 Post Picasso. Contemporary Reactions.  Museo Picasso. Barcelona. Spain
2014 Without Mask. Contemporary Afro Cuban Art.The Von Christierson Collection/Wacht Hill Foundation .Museum of Anthropology of the University of British  Columbia. Vancouver .Canada
2013 Fifteen Recent Acquisitions from the Deutsche Bank Collection. USA
2013 Revolutionary Island:Tales of Cuban History and Culture. Sonoma Valley Museum of Art. California.USA
2013 Citizens of the World. Cuba in Queens.The Queen Museum. New York . USA2012 Building Identities. Contemporary Cuban Art from the Shelly and Donald Rubin Private
2012 Collection. Cleveland Clinic’s Art Program  Arts & Medicine Institute. OH USA
2011 Sinergias. Latin-American Art in Spain Macuf Contemporary Art Museum
2011 Union Fenosa. Coruna. Spain
2011 Open Studios ISCP .Brooklyn New York. USA
2011 Keloids. Race and Racism in the Cuban Contemporary Art.The 8th Floor.
2011 Shelly and Donald Rubin Foundation. New York. USA
2011 Buy what you love 2011.The Rema Hort Mann Foundation.
2011 Marianne Boesky Gallery. New York.
2011 The Museo’s Biennal (S) Files. Museo del Barrio. Rotunda Gallery Brooklyn, New York.
2010 Without Mask. Contemporary Afro-Cuban Art. Johannesburg Art Gallery. Johannesburg. South Africa.
2010 Cuban Avant-garde: Contemporary Cuban Art from the Farber Collection.
2010 Lowe Art   Museum. University of Miami. FL.USA
2010 Keloids. Centro Wifredo Lam. Havana. Cuba.
2010 Keloids. Mattress Factory. Pittsburg. USA
2010 Sinergias. Latin-American Art in Spain. MEIAC. Badajoz. Spain.
2010 Cuban Avant-garde: Contemporary Cuban Art from the Farber Collection.
2010 Katonah Art Museum. New York .USA.
2010 Open Studios ISCP .Brooklyn New York. USA
2009 Peregrinatio. Arte en las Ermitas de Sagunt. Sagunt. Valence. Spain.
2009 Cuban Avant-garde: Contemporary Cuban Art from the Farber Collection.
2009 The Winnipeg  Art Gallery. Winnipeg Canada.
2008 Deconstruct. Hof & Huyser Gallery. Amsterdam .Holland
2008 Cuban Avant-garde: Contemporary Cuban Art from the Farber Collection. Jordan
2008 Schnitzer Museum of Art. California. USA
2008 Visiones Publicas .Pasiones Privadas. Contemporary Art Museum of Vigo.Vigo. Spain
2008 Something and Something Else .Exhibition Oce Art Foundation in Museum Van Bommel. van Dam.Venlo Holland
2007 Cuban Avant-garde: Contemporary Cuban Art from the Farber Collection
2007 Harn Museum of Art, Florida USA
2007 Cuban Avant-garde: Contemporary Cuban Art from the Farber Collection
2007 Ringling Museum. Tampa Florida. USA
2007 Restos. Estudio Arteologico. Muestra tematica de la coleccion permanente.
2007 Contemporary Art Museum of  Puerto Rico. San Juan. Puerto Rico.
2006 New Acquisitions. CBK Ámsterdam.Holland
2006 Looking Back, Looking Black African-American, African, and Latino Images  from the
2006 Robert E. Holmes Collection.  The Kansas African-American Museum .Kansas USA.
2006 More than Meet the Eyes. Perspectives from The Robert E Holmes Collection California
2006 Africa-American Museum Los Angeles USA
2005 Contemporary Paintings of Latin-America. The DeVos Museum. Northern Michigan.
2005 Mi Cuerpo, Mi Pais. Cuban Art Today. U.V.A  Art Museum. University of Virginia.USA
2005 Open Ateliers. Rijskakademie van beeldende kunsten. Amsterdam. Holland.
2005 Berezdivin Collection. Espacio 1414 .Opening Exhibition. San Juan, Puerto Rico
2005 Winter Show. Hof & Huyser Gallery. Ámsterdam. Holland
2005 Young Painters. Grusenmeyer Art Galerie. Deurle. Belgium.
2005 New Paintings. Group show Hof & Huyser Gallery. Ámsterdam. Holland
2005 New adquisitions. The Nederlandsche Bank. Ámsterdam
2004 Inside/outside. Contemporary Cuban Art. Charlotte and Phillp Hanes Art Galllery. Wake
2004 Forest University. Florida.USA.
2004 Collective. Galeria METTA, Madrid .Spain.
2004 Open Ateliers. Rijskakademie van beeldende kunsten. Amsterdam. Holland.
2004 Affirming a Legacy. Art from Robert E. Holmes Collection H.C. Taylor Gallery of the
2004 Dudley Building. North Carolina .USA
2003  Centimetro a centimetro Fernado Pradilla Gallery. Madrid .Spain
2003 Catastrofe Minime. Museo de Nuoro. Cerdana.Italy.
2003 La Colección. Espacio Camargo. Cantabria. Spain.
2003 VIII Bienal de la Habana. La Cabaña.Havana .Cuba.
2002  Itinerarios.VII  Convocatoria Becas de Artes Plasticas Marcelino
2002 Botin. Marcelino Botin Foundation. Santander. Spain *
2002 Decada de los 90.The Berardo Modern Art Collection. Museo de Sintra, Portugal.
2002  Atravezados. Fundación Telefónica.MADRID.ESPAÑA*
2002 Show y Basura.Foro Sur. Caceres. Extremadura. Spain
2002 DerGlobalKomplex. OK. Centrum fur Gegenwartskunst. Linz. Austria.
2002 Premio L’Oreal de Arte Contemporáneo. XVIII Edition. Madrid
2002 Erased Border. Contemporary Fair. Project Room. Miami FL. USA
2000  The Young Ones. Gary Nader Fine Art. Miami. USA.
2000 Paraíso Cero. Eventa 5. Contemporary Art Biennial . Uppsala. Sweden.
1999  Internacional Exhibition. ART/OMI Residency. New York. USA.
1999 Heterotopias. Project rooms-Cambres d’art. INTERART 99’. Valence. Spain.
1998  Hidden Art of Revolution. Contemporary Cuban Art. Toronto. Ontario. Canada.
1998 “Caribe, exclusión, fragmentación y paraíso” M.E.A.C. (Museo Extremeño e
1998 Iberoamericano de Arte Contemporáneo. Badajoz. Spain.
1998 XXXe Festival internacional de la Peinture. Château-Musée Grimaldi. Cagnes sur Mer. France.
1997   Cuatro Artistas Cubanos”. Exposition Identification. Salle Allende. Université Libre de
1997 Bruxelles. Bruselas. Bélgium.
1997 VI Bienal de La Habana. Casona del Fondo Cubano de Bienes Culturales. Havana. Cuba.
1997 “Inside”. International Art Exhibition. Kassel. Germany.
1996   Río Almendrales. Ni fresa ni chocolate. CENCREM. Havana. Cuba.*
1996 Tercera Bienal de Pintura del Caribe. Museo de Arte Moderno. Santo Domingo.
1995   Primer Salón Nacional de Arte Contemporáneo Cubano. Castillo de la Fuerza y
1995 Palacio de Bellas Artes. Havana. Cuba.*
1994   “Los dados de medianoche”. Galería Espuela de Plata. Centro de Desarrollo de las.
1994 Artes Visuales. Havana. Cuba
1994 Salón Provincial de Dibujo de Ciudad de la Habana. Centro Provincial de Artes.
1994 Plásticas y Diseño. Havana. Cuba
1990   El Objeto esculturado”. Centro de Desarrollo de las Artes Visuales. Havana. Cuba.

RESIDENCIES-FELLOWSHIPS-STIPENDS

2016 Watermill Center, Watermill, New York
2011 Artist Studio in Residency Bronx Museum
2011 Chashama Studios. Brooklyn. New York
2011 The Pollock–Krasner Foundation Grant. New York.
2010 The Christopher Reynolds Foundation. New York.
2010 Mattress Factory Residency Programs.
2010-11 ISCP. Brooklyn. NY.USA
2009 Raid Project. Los Angeles California.
2005 Dutch Ministry of Foreing Affairs, DCO/IC.
2004 Dutch Ministry of Foreing Affairs, DCO/IC.
2004-05 Rijksakademie van beeldende kunsten/Dutch Ministry of Education,Culture and Science.
2000 Fundación Marcelino Botín. España
1999 ART/OMI Residency. Nueva York. USA. July.

SELECTED BIBLIOGRAPHY
Catalogues-magazines-newspapers

1996 La resurrección del símbolo. José Manuel Noceda. Palabras al catálogo de la exposición Des-Colon-izando el Entorno. C. Wilfredo Lam. La Habana. Cuba.
1997 Catálogo de la Sexta Bienal de La Habana. Lupe Álvarez. May-July. La Habana. Cuba.
1997 Fuga en espejo de Armando Mariño. Carino Pinos Santo. Revista Revolución y Cultura Nº2/97 año36. La Habana. Cuba.
1997 Art exhibit provides glimpse into Cuba. Christopher Hume. What’s on. Thursday, May 15. Toronto. Canadá.
1997 Textualidad y dialogismo en la pintura de Armando Mariño. Rufo Caballero. Revista Unión. La Habana. Cuba.
1999 Analyse d’une oeuvre”. Monique Mirabel, Valérie John, Mathilde Titina. Revista Arthéme Nº4. Septiembre. Martinica.
1999 Mariño, la modernidad y la jungla. José Marín-Medina. El Cultural. 26.12.99. El Mundo. Madrid. España.

SELECTED BIBLIOGRAPHY (continued)

Andanzas de un negro. Fernando Castro Flores. ABC Cultural. 8 de enero de 2000. Madrid. España.
El Caribe una identidad de diferencias. Santiago B. Olmo. Art Nexus Nº31. Enero/marzo. Miami. Colombia.
Armando Mariño”. Exposiciones. Santiago B. Olmo. Revista Lápiz, Nº 160. Año XIX. Madrid. España.
Marcel Duchamp a propósito del negro. Notas introductorias al objeto muerto de risa. Armando Mariño. Revista Cimal Arte Internacional Nº 52. 2000. España
El Negro (conceptual)de Armando Mariño. Denis Matos. Pagina
web.www.cubaencuentro.com. 8 marzo 20001
Armando Mariño. Galería Theredoom. Luis Francisco López. Revista Lápiz nº174. 2001.España
Change the Joke, Slip the Yoke. Franklin Sirmans. Catalogo de la exposición In útero. ”Galería Gary Nader Fine Art. Agosto.2001. Gary Nader EDITION.
Arte en las Venas. El artista o el extranjero.Una mirada que retorna. Javier Fuentes Feo.Catalogo de la Exposición Sala Rivadavia-Musep Cruz Herrera.Cadiz.Enero-Marzo.2002.España.
Armando Mariño.Parodist of the canon. Fernado Castro Flores. Catalogue.Der Global Komplex..OK.Centrum fur Gegenwartskunst.Linz Austria Jun-July.2002.
Armando Marino. Entrevista/Pintura.. Javier Diaz Guardiola. Blanco y Negro Cultural.El Cultural del MUNDO.11,Oct.2003.pag 27. Spain.
Inside/ outside. Contemporary Cuban Art. David Hart.
Exhibition catalogue. Wake Forest University. 2003.
Armando Marino. Review. Jose Jimenez. Artnexus.No.51 Volume 2003.
Octava Bienal de La Habana Bienal de La Habana.
Julia P Heizberg. Artnexus No 52,April 2004
The diffused diaspora. Dennys Matos. Magazine ARCO Contemporary Art. Number 30,winter 2003.Spain
Imagen y representacion. Dennys Matos. Exhibition catalogue. Arte y Naturaleza Centro de Arte.2004. Spain
Fighting spirit. Kay Hartenstein Saatchi. Art Review.Volume LIV. March 2004.
The Painting’s gesture. Ruben de la Nuez.Art Notes. International Art Magazine.12. 2006 Spain
Armando Marino. Abelardo Mena. Cuban Avant-garde: Contemporary Cuban Art from the Farber Collection. Samuel P Harm Museum Of Art, Florida. Gainesville Florida.2007
El que no tiene de Congo tiene de Carabali. Sara Cooper. Essay Published by the  STATE University of California Chico.2008.
Armando Marino, born manipulator. Fernando Castro Flores. Keloids. Catalogue Mattress Factory. Pittsburgh. USA 2010.

 

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Per Adolfsen

 

Per Adolfsen’s emotionally charged acrylic paintings seamlessly merge representational and abstract elements that activate the works with surprising “funhouse” effects of fear, foreboding and buoyancy.  The dream-like floating tableaux, replete with swirling figures and fragmented architectural forms, engage the viewer in a seductive world of fantasy and uncertainty that recalls classic Scandinavian angst.

SELECT EXHIBITIONS

JANINE BEAN GALLERY, Berlin (Ode on melancholy), Berlin 2011 – Group
ART MIAMI 2011, with Schuebbe Projects, Miami
Art Labor Gallery (High Five) Groupshow, Shanghai 2011
Aqua Art Fair 2011, with Gallery Thomas Jaeckel, New York
SH Contemporary 2011, with Art Labor Gallery, Shanghai
ART LABOR GALLERY, “The imaginary Eden of Per Adolfsen”, Shanghai 2011 – Solo
Schübbe Projects, “LIFEWIRE”, Düsseldorf 2011 – Solo
ART HONG KONG 2011, with Schübbe-Projects, Hong Kong
Art Los Angeles contemporary 2011, Los Angeles
ART STAGE SINGAPORE 2011, with Schuebbe Projects, Singapore
ART MIAMI 2010, with Schuebbe Projects, Miami
Aqua Art Miami 2010, Gallery Thomas Jaeckel, New York
SH Contemporary 2010, with Schübbe-Projects, Shanghai
ART LABOR GALLERY 2.0, Shanghai 2010 – Group show – Second Impressions
ART HONG KONG 2010, with Schübbe-Projects, Hong Kong
532 Gallery Thomas Jaeckel, New York 2010 – Solo
ART-BEIJING 2010, with Schübbe-Projects, Beijing
The Ministry of Foreign Affairs of Denmark 2010
ART-HERNING DK 2010
Gallerie Rasmus, The World is Floating, Copenhagen DK 2009 – Solo
ART-COPENHAGEN, DK 2008-2009
Gallerie Rasmus, Synchronicity, Odense DK 2008 – Solo
Galleri SOTO, From Light Into Darkness, Aalborg DK 2007 – Solo
Galleri Veldpape, 13 danish Artists, Groningen, Holland 2006
(Curated exbh. in cooperation with The Ministry of Foreign Affairs of Denmark)
ART-HERNING DK, 2006-2009
ART-FAIR STOCKHOLM, Sweden
ART-COPENHAGEN, DK 2005-2006
Galerie Wolfsen Aalborg, DK 2002 and 2005 – Solo
Gallerie Rasmus DK, 2004 – Solo
ART-COPENHAGEN, DK 2002
Gallery Andersen & Juul, City of Angels, Aalborg DK 1999 – Solo
Thorshavn Art Museum, The Faroe Islands, 1998 – Group show
Gallery Andersen & Juul, Aalborg DK 1998 – Solo

 

PUBLICATIONS

Artist Residency Shanghai, sponsored by Art Labor Gallery, 2011
Glasschord Art and Culture Magazine, New York, Article and frontpage, vol. 10, 2011
Randian online, China, review, soloshow in Shanghai “The Imaginary Eden of Mister Adolfsen”, 2011
ARTWE, Virtual exhibition with Art Labor Gallery, http://www.artwe.com/ex
Review, Randion online, Shanghai 2011
“Kunst i øjet”, Artist interview, DK4, Danish Television, april 2011
Review Art-magazine M – The New York art world, 2010
Review City weekend Shanghai – Second impressions ART LABOR GALLERY, 2010
Portrait danish radio DR P1, 2010
Publication, book: 101 Danish Artists 2009
Artist-talk ART-COPENHAGEN 2009
Publication, book: The World is Floating , 74 pages about the works of Per Adolfsen 2009
Publication, article: The Magazine Art, ”Danish art Magazine on contemporary art” 2009
Publication, article: The Magazine Visitor 2009
Publication, article: Magazine Antique & Auction 2008
Decoration of the Comwell Hotel 2008
TV-2, Danish local TV, Portrait of the artist, 2007
Catalogue for exhibition: From Light Into Darkness 2007
Catalogue for exhibition, Gallery Wolfsen 2002 og 2005
Artist of the Year, article in Danish national newpaper Kristeligt Dagblad 1998
Publication, book: Artists from Funen, Denmark
Artist of the Year, Art Society of the County of Aalborg, Denmark.

 

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Ian Hughes

 

 

Ian Hughes’ paintings exploit the anatomical link between the brain and the viscera.  Fluid, intertwining, and semi-transparent forms exude a bodily presence while suggesting a tangle of shifting associations. Hughes seduces the viewer with sensuous textures and a luscious palette of chromatic pinks, yellows and turquoise blues modulated by pearl whites and carbon blacks.  For Hughes, the color field is a stage on which to choreograph a visual and psychological drama.
Education

1986 M.F.A., Columbia University School of the Arts,
Division of Painting and Sculpture, New York, NY
1981 B.A., Yale University, New Haven, CT
1980 Yale Summer School of Art at Norfolk, Norfolk, CT
Ellen Stoeckel Battel Fellowship Recipient

Exhibitions:  Solo (S) and Group (G)

2015 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G)
2014 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G)
2014 Ian Hughes Paintings 532 Gallery Thomas Jaeckel New York, NY
2013 Ten Artists Adelson Galleries Boston, MA
2012 Untitled Art Fair, South Beach, 532 Gallery Thomas Jaeckel, New York (S)
2012 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G)
2012 Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S)
2012 Art Wynwood, Miami,  532 Gallery Thomas Jaeckel, New York (G)
2011 Aqua Art Miami, 532 Gallery Thomas Jaeckel, New York (G)
2010 Inside Out, Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S)
2010 Aqua, Miami,532 Gallery Thomas Jaeckel, New York (G)
2009 Paper in the Wind, curated by David Gibson, 532 Gallery Thomas Jaeckel , New York, NY (G)
2003 New Works on Paper, Victoria Munroe Fine Art, Boston, MA
2002 25th Anniversary Exhibition, The Drawing Center, New York, NY
Watercolor: In the Abstract, conceived by Melissa Meyers, curated by Pamela Auchincloss and Alex Muse
2002 Michael C Rockefeller Arts Center Gallery, SUNY College, Fredonia, NY (G)
2002 Butler Institute of America, Youngstown, OH (G)
2002 Ben Shahn Gallery, William Patterson University, Wayne, NJ (G)
2002 Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL (G)
2001 Hyde Collection Art Museum, Glens Falls, N.Y. (G)
Nina Freudenheim Gallery, Buffalo, NY
1999 Surfing the Surface, DFN Gallery, New York, NY
1998 Abstraction in Process, Artists Space, New York, NY; (G)
curated by Irving Sandler and Claudia Gould
1991 White Room: Paintings, White Columns Gallery, New York, NY
1991, White Columns Gallery, New York, NY
1990 Hall Walls, Albright Knox Museum, Buffalo, NY
1989 Climate ‘89, Condeso/Lawler Gallery, New York, NY
1988 Drawings, Massachusetts College of Art, Boston, MA
1985 Selections 31, The Drawing Center, New York, NY

Awards

1996 New York Foundation for the Arts Fellowship Recipient for Painting

Teaching

2005- current Adjunct Instructor, Foundation Department, Parsons School of Design
2000-2007 Visiting Assistant Professor, Foundation Arts Department, Pratt Institute, Brooklyn, New York.
1998 Visiting Artist, Bard College, Annandale, NY
1997 Visiting Artist, Brooklyn College MFA Program, Brooklyn, NY

Bibliograph

New American Paintings, Open Studios Press, Boston, MA. March, 2005
Rose, Barbara. “Watercolor: In the Abstract.” Exhibition catalogue essay, September 2001 (color illustration)
Everett, Deborah. “Double Vision: Studio Visit with Ian Hughes.” NY Arts, September 1999, p54. (reproduction)
Johnson, Ken. “Abstraction in Process II.” The New York Times, February 6, 1998, p. E36.
Atamian, Christopher. “Abstraction in Process II.” Review, February 15, 1998.
Gibson, David. “Abstraction in Process II.” NY Arts, March-April 1998, p.17 (reproduction)
Arning, Bill. Update 1991. (exhibition catalogue) Fall, 1991.
Chaet, Bernard. The Art of Drawing (Third Edition). Holt, Rinehart, Winston, 1983, (reproductions)

 

 

 

 

 

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Tatjana Busch



Tatjana Busch creates unique metal sculptures that she crushes and re-forms to display facets and folds that emerge through “guided” accidents.  The works exude a flare for the fresh and unexpected that resonates with fresh cross-narrative relationships between surface geometric patterns and the overall biomorphic configurations

AWARDS AND RESIDENCES

2010 Residence ISCP, International Studio and
2010 Curatorial Program, New York, USA
2010 Nominated: ZVAB Phoenix Art Award
2007 Hausderkunst Award, Munich
2008 Competition Award, Bavarian Garden Show, Neu Ulm

EXHIBITIONS

2013 Fusion, 532 Gallery Thomas Jaeckel, New York, USA
2012 Art Miami Context, 532 Gallery Thomas Jaeckel, NY, USA
2012 Intuitive Form, Municipal Art Gallery Lahr, Germany
2012 Collection Sal. Oppenheim, curated by Christine Kreuzberg, Germany
2012 Art at the Cortina, curated by 
Kat Schuetz and Stephanie Staby, Munich, Germany
2012 Gallery of Modern, Stefan Vogdt, Galleries Artists, Munic, Germany
2011 Aqua 11, Miami with 532 Gallery Thomas Jaeckel, New York, USA
2011 “How ´Thinks´ Work”  Simons Foundation
 Center at Stony Brook, New York, USA
2011 Art Association, Ebersberg Intermezzo, curated by Brigitte Henninger, Munich, Germany
2011 Galerie Tanit: Form meets Minimal, curated by 
Kat Schuetz and Stephanie Staby, Munich
, Germany
2011 Monument Gallery, Objects, Jettingen, Germany
2011 Art Fair, Cologne, Gallery Pro Arte
, Germany
2011 961 Gallery, Beirut, Lebanon
2010 Intuitive Forms, 532 Gallery Thomas Jaeckel, New York, USA
2010 Open Studios, ISCP, International Studio and Curatorial Program, New York, USA
2009 Art Karlsruhe, Gallery Pro Arte, Germany
2009 New Art Salon, Haus der Kunst, Munich, Germany
2009 Gallery pro arte, Objects, Freiburg
, Germany
2009 Art Fair 21, Koeln,  Gallery Pro Arte
2009 Art Association Freiburg, “das soll Kunst sein”
2009 Art Miami, Aqua Art by 532 Gallery Thomas Jaeckel
2009 Pop Art Pirat Gallery, Geometric Moments, Hamburg
2009 Art Karlsruhe, “One Artist Show”, Abt-Art Gallery, Stuttgart
, Germany
2009 Art meets Fashion, Schütz and Staby, nurjungekunst.de,
Praterinsel, Munich
2009 Pop Art Pirat Gallery, Hamburg
, Germany
2009 Brigitte Henninger Art, Seefeld, Germany
2008 Collectors’ Exhibition with Keith Sonnier and 
Mathias Köster, Cannes, France
2007 New Art Salon, Haus der Kunst, Munich, Germany
2007 Bayern LB Gallery, Objects, Munich, Germany
2007 Gallery Leidel, Munich, Germany
2006 “Charging and Discharging”, 3rd Ellwang 
art exhibition, Ellwang Castle
2006 FMDK annual exhibition, Haus der Kunst, Munich, 
, Germany
2006 Technology Centre, Jennersdorf Burgenland, Austria
2005 Annual FMDK exhibition, Haus der Kunst, Munich, 
Germany
2004 Producer Gallery, Munich, 
Germany

 



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Les Joynes

Video (still) created in Mongolia’s Border Region with Siberia. 2014 © FormLaboratory, Les Joynes and ARS, New York.

 

Bio: Les Joynes is an American artist living and working in New York. He is a graduate of Central Saint Martins, London (B.A. Hons Fine Art, 1996); Goldsmiths, University of London (M.A. Fine Art, 1997); Musashino Art University (Masters in Fine Art, 2001); and Leeds Metropolitan University, UK (PhD, 2012). He was Japan Ministry of Education and Culture Scholar in Tokyo; Visiting Scholar in Art and Philosophy at Columbia University; CEC ArtsLink Grantee and Fulbright-Hays awardee. He serves on the College Arts Association International Committee and the Editorial Committee for ProjectAnywhere, University of Newcastle, Australia, a peer-reviewed arts research project exploring the outer limits of art and site specificity. He recently presented his work at the Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University and convened a PhD Fine Art master-class at Chelsea College of Art, London. He is Fellow at the University of the Arts London Research Centre for Transnational Art, Identity and Nation (TrAIN).

COLLECTIONS

Private collections in the USA, Europe and Japan.

GRANTS-FELLOWSHIPS-AWARDS-RESIDENCIES

2012-2014 New York Foundation for the Arts Fiscal Sponsorship Program/ Artspire, New York (Sponsored Artist)
2012 Brazilian Ministry of Culture – exhibition of The Form Laboratory- Brazilian Museum of Sculpture.
2012 Seoul Foundation for Art & Culture – for Exhibition of The Form Laboratory-Seoul
2010 Harlem Arts Alliance, New York
2009 Edwin Austin Abbey Mural Fellow, National Academy Museum School of Art & Design, New York
2009 Artist Fellow, Bauhaus Foundation, Dessau, Germany
2009 Bauhaus Kolleg, Kulturministerium des Landes Sachsen-Anhalt Magdeburg, Germany
2008 NKD-Fellow, Nordisk Kunstnarsenter, Dalsasen – Norway, Cultural Ministry of Norway
2007 Toosneger Foundation, Dordrecht, Netherlands
2006 Artist Fellow, Nagasawa Artist Park – Awajishima, Japan
2001 Postgraduate Selection for Sculpture, Musashino Art University, Tokyo
1997-2001 MEXT Scholar, Japan (Japanese Ministry of Education and Culture), Japan
1995 King Sturge Prize, London
1995 Erasmus Scholarship, École Nationale Supérieure des Beaux-arts de Paris
1993 Commendation, Central Saint Martins College of Art, London
1993 – 1994 Inner Spaces, artist-in-residence Skoki/Poznan, Poland

SELECTED EXHIBITIONS

2012 The Brazilian Museum of Sculpture (Museu Brasileiro de Escultura), São Paulo – Brazil (solo)
2011 Gallery 532 Thomas Jaeckel, New York (solo)
2012 Fenberger Museum, 2012, Nagano, Japan, curated by Roger McDonald
2010 University of Minnesota, Katherine Nash Gallery – curated by Clarence Morgan
2010 The Form Laboratory, Tokyo (September)
2010 The Form Laboratory, Treignac Projet, Limousin, France (solo)
2010 Museu Brasileiro de Escultura, São Paulo – Brazil, curated by Angela Ferrera
2010 Museum of Modern Art, Wales
2010 Exit 11, curated by Luc Fierens and Benoit Piret, Grand-Leez, Belgium
2010 San Diego State University, curated by Bibiana Padilla Maltos
2010 Queens Museum of Art, Partnership Gallery, New York
2010 Museum of Modern Art, Wales, United Kingdom
2009 The Form Laboratory, Chashama, New York (Collaborative project with Tom Bogaert) (solo)
2009 Ghost Trace, Form as event performances, Queenstown, Singapore (solo)
2009 Die Seits der Alpen: Hunger -Jenseits der Alpen: Durst, Pankow, Berlin Curated by Klaus Winichner
2008 Agency of Method, Akademie der Künste and Niemeier Building, Berlin
2008 Human Trace in InterBau – performance
2008 Amotgaard, “Les Joynes: Parallel Universes”, Bygstad, Norway (solo)
2008 Michael Steinberg Fine Art, “Les Joynes: Middleworlds”, New York (solo)
2007 New General Catalog, “The Guy Debord Show”, Brooklyn. Curated by Dan Levenson
2007 Peer Gallery, New York, Locations of Elsewhere, New York
2007 Sandra Bürgel Gallery, Berlin “Unsere Affekte fliegen aus dem Bereich der menschlichen Wirklichkeitheraus” Curated by Klaus Winichner
2006 South La Brea Gallery, Los Angeles, curated by Kavin Buck
2006 Romo Gallery, Atlanta
2006 CBGB Gallery, New York
2005 CTS Gallery, Photo NY, New York
2005 111 Front Street, New York, Dark Nature
2005 Natural Displacement at Mizuma Gallery/ Art Fair Tokyo
2005 Romo Gallery, Atlanta, Working Artists in Brooklyn
2005 Space Gallery, London, Les Joynes: Strange Birds and Other Curious Manifestations
2005 Spike Gallery, New York, New ’05
2005 Mizuma Gallery, Tokyo, Since 1994
2004 Triangle/Space, London, Reality Asylum
2003 Bergstübl Projekte Mitte, Berlin, Bang-Bang Berlin. Curated by Cornelia Brintzinger
2003 Gallery Pugh Pugh, Berlin, Pugh Pugh Anniversary Exhibition
2003 Albert Schweitzer spielt Johann Sebastian Bach, Berlin. Curated by Klaus Winichner
2003 Mars Gallery, Tokyo, Mars Gallery Artists
2002 Tactical Museum/ AIT, Tokyo, The Moving Exhibition. Curated by Roger McDonald
2002 Maejima Art Center, Okinawa. Curated by Roger McDonald
2001 Mizuma Gallery, Tokyo, Table Manners. Curated by Roger McDonald
2001 The Art Gallery of New South Wales, Sydney, Highchair, (videoworks). Curated by Emil Goh
2001 Gallery 4a, Sydney. Curated by Emil Goh
2001 The Art Center, Art & Culture Foundation, Seoul, Korea.
2000 Nylon Gallery, London, The Raft. Curated by Klega
2000 Asahi Gallery, Tokyo, Asahi Contemporary Art 2000
2000 YongDu International Art Festival, Pusan, Korea, Strange Flowers
1999 Japan Cultural Center | Goethe Institut | Alliance Francaise
1999 Bangkok Experimental Film and Video. Curated by Project 304-Bangkok
1999 Tatsumi Orimoto, Kawasaki, The Tatami Exhibition
1999 P-House Gallery, Tokyo, Networking/ British Council UK ’98 -Tokyo
1998 Casa Gallery, Tokyo, Contemporary Ranting (solo)
1997 Espace 21, Matsuyama, Japan, All Mod Cons (solo)
1997 Milch Gallery, London, The Toolroom Salon
1997 Barbican Concourse Gallery, London, Fatman
1997 Galerie Gauche, École Nationale Supérieure des Beaux-arts de Paris (solo)

SELECTED BIBLIOGRAPHY

2012 Kim, Hee-young “An Archaeology of Time: Les Joynes’ at Seoul Foundation for Art and Culture, Seoul, Korea
“Form Laboratory – Les Joynes – a Museu Brasileiro da Escultura” Guia da semana – Sao Paulo, Brazil
“Les Joynes, artista plástico americano, inaugurará a exposição Form Laboratory” (American visual artist inaugurates Form Laboratory), Société Perrier, 31 July 2012,
“Les Joynes no Mube“ Guia UOL – Sao Paulo
“O Museu Brasileiro da Escultura -MuBE recebe até o dia 27 de agosto o projeto Form Laboratory, do escultor californiano Les Joynes” Cidade de Sao Paulo, 9 August 2012
“Les Joynes traz representações de cidades para o MuBE” (Les Joynes re-represents the City of Sao Paulo at the Brazilian Museum of Sculpture), Zirrah, July, 24, 2012
“Les Joynes / Form Laboratory – totens criados pela dupla. Les Joynes/ Form Laboratory. Museu Brasileiro da Escultura. (Creating totems in shared spaces) Usina de Alegria Planetaria 5 August 2012
“Exposição transforma Mube em laboratório criativo sobre São Paulo” (The exhibition transforms the Brazilian Museum of Sculpture in São Paulo into a creative lab), Epoca (magazine) Sao Paulo, 31 July 2012
“Artista americano traz ao MuBE obras que retratam São Paulo” (American artist brings to the the Brazilian Museum of Sculpture works depicting Saint Paulo). Colunistas Vivi Mascaro – 24 July 2012
“O MuBE torna-se sede para representações de diversas cidades do mundo, a partir desta quinta-feira na mostra Form Laboratory. (The Brazilian Museum of Sculpture becomes headquarters to representations of various cities around the world, from this Thursday at the show Form Laboratory), MYSP, July 2012
Les Joynes at Brazilian Museum of Sculpture) Taste-Brazil, Cesar Giobbi, August 2012
“Form Laboratory é uma série de exposições que roda diferentes cidades, passando por museus e centros de arte, que explora culturas localizadas” (Form Laboratory is a series of exhibitions which runs different cities through museums and art centres, which explores localized cultures). Sampa – Brazil, August, 2012
Artslant, August, 2012
“Form Laboratory ganha primeira versão no Brasil” (Form Laboratory in its first iteration in Brazil). Bagarai Entretenimento › Cultura e Arte. 24 July 2012
“Exposição Form Laboratory – Les Joynes” (Television Interview with Les Joynes) Agenda TV, Brazil.
“Form Laboratory transforma objetos em esculturas: O artista californiano Les Joynes, idealizador do projeto Form Laboratory” (Form Laboratory transforms objects into sculptures: the Californian artist Les Joynes, creator of the project Form Laboratory) CGS (Magazine) Sao Paulo, Brazil, August, 7, 2012
“Form Laboratory: Projeto itinerante chega a São Paulo: O mar de objetos descartados como lixo nas cidades se transforma em arte nas mãos do artista norte-americano Les Joynes” (Nomadic project comes to Sao Paulo: the sea of discarded objects in the cities turns into art in the hands of the American artist Les Joynes) Colhera da Culture, (Magazine) 31 July 2012
“Mostra Form Laboratory ganha primeira versão no País” (Form Laboratory exhibition to exhibit in the country for the first time) BateCabeça . 24 jul. 2012 – Para Les Joynes, a capital paulista
“Documentário Les Joynes” (Television interview) Portal do Curta (portaldocurta.com/) por Thiago Lúcio Quem. August, 2012
“Documentario, Les Joynes” (Television documentary) TVO-Sao Paulo. Terça- 07/08/2012 « TVO Aug 7, 2012
Basu, Sam, Interview with Les Joynes, April 2011, Journal for VisualCulture, University of California, Irvine
2008 Ewald, Gritte, Beeldende Kunstbeelde, Rotterdam
2008 Sele, Katrine, “New work by Les Joynes”, Firda, Norway, August
Fujimori, Manami, “New York contemporary artists”, April
2007 Wee, Jason “Candy Markmaking” Art, Alternatives & Politics, May
2005 Feaster, Felicia “Something Weird Grows in Brooklyn”, July
Asseraf, Laurence “Recycled city scenes” New York Arts Magazine, April
“Urban Decay – Artistic Response to an Urban Environment”, Absolute Arts, March
2004 “Les Joynes” Commons & Sense, Tokyo, October
2003 Kujima, Yayoi “Arts Paradise,” Ryoko Tsushin Magazine, January
Savannah, Gae “Scope Art” Sculpture Magazine, December
2001 Tokyo Walker, December
McGee, John “Table Manners”, Metropolis, Tokyo December
“Table Manners” Japan Design, January
PlayGraph “Les Joynes” Tokyo
2000 Charlesworth, J.J. “The Raft”, Art Monthly, London, October
1999 Bangkok Television “Bangkok Experimental Film Festival”, July
1998 Mainichi Shimbun, Tokyo “Iru/kiru”, June
1997 NHK Television – Japan “New Contemporary Art”, February
Matsuyama Magazine, “New Body: Les Joynes”, January
Ehime Shimbun “Les Joynes: All Mod Cons”, January
professional experience and teaching
2011 Lecturing to BA Fine Arts and MA Fine Arts, Leeds Metropolitan University, Leeds, UK
2009 Lecturing to BA Fine Arts and MA Fine Arts, Leeds Metropolitan University, Leeds, UK
2009 Artist Grant Selection Panel, Harlem Arts Alliance, New York
Artist Moderator, Cue Art Foundation, New York
2009 Visiting Artist Lecture
University of California, Santa Barbara
2009 Artist Mentor, College Arts Association Conference, Los Angeles
2009 Lead Artist and Choreographer, GhostTrace, Singapore – Bauhaus Foundation and Lasalle School of the Arts
2009 Visiting Artist Lecture to BFA photography, La Salle College of Art, Singapore
2009 Visiting Artist Lecture to BFA dance, Nanyang Academy of Fine Art, Singapore
2008 Director/ choreographer, Ghost Trace, Berlin
as part of Cities of Tomorrow: Bauhaus Foundation, Dessau
2008 Artist Moderator, Art of Public Speaking, Cue Art Foundation, New York
2007 Visiting Artist Lecture, Pictura Gallery, Dordrecht, Netherlands
2000 Visiting Artist Lecture, Otis College of Art and Design, Los Angeles
Current trends and developments in contemporary fine art in Japan
1999 – 2001 BFA and MFA critiques
Musashino Art University, Department of Sculpture
1999 Guest Panelist, Japan Foundation, Bangkok
Bangkok Film and Video Biennial” with the Japan Foundation and Alliance Francis
1998 British Council and P-House Gallery, Tokyo
Networking, Curated by Les Joynes, Klega and Konstakuten, Stockholm
Exhibition of 200 artists and their drawings.

PUBLICATIONS

2009 Trace, Soanyway, Leeds, UK
2008 Launched Artists Talk, Nordic Artists Centre, Dale, Norway
Cultural Ministry of Norway Fund
2000 Flash Art, Milan “Japanese contemporary art: Yuichi Higashionna”
1999 Art in America, Review of work of Yoshitomo Nara at Ginza Art Space, Tokyo
1999 Springerin, Vienna, Review of work of David Thorpe and Brian Griffiths

RESEARCH

“Positions of form and the formless in contemporary art production” Leeds Metropolitan University, 2012.
“Uncanny in contemporary art: Mike Kelley, Paul McCarthy, and filmmaker David Lynch”
Goldsmiths College, Written Thesis, University of London, 1997
“Evocation of the abject in contemporary art”
Central Saint Martins College of Art, Written Thesis, London 1996

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